Tag Archives: Traditional Painting

Studio Glimpses Video-The Process of Creating the Painting: “Here I Am – Candy Wind Hibiscus”

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In my continuing series of Studio Glimpses, I love to respond to questions by my collectors. The process of how I created this painting is generally one of those most frequently asked.

You Tube Video link: (https://youtu.be/pgVtTmQX944)

In this video, I begin by showing you the photo of a flowering hibiscus from my own garden which was the inspiration for this artwork.
Here I write my thought process behind the stages visualized in the video. 

In my initial stage I work out the composition of the final art work and deciding whether it will be a square or a rectangle.

To work out the details of lights and darks that will be in the final painting I like to start with a tonal drawing. Using an HB weight graphite pencil I use my customary swirling strokes to give form to the drawing. Not being partial to outlines I don’t emphasize them but soften the edges by merging them slightly with strokes. 

In order to transfer the drawing to the canvas I used a mapped grid system. In this case, I put a transparent sheet of paper over the tonal drawing on which I’ve drawn a grid. After measuring the same grid on the canvas I was able to upsize the drawing onto the canvas. Using pastels I created an underdrawing of a neutral ochre color using the tonal drawing as my model, followed by a layer of neutral ochre oil paint which seals the surface of the gessoed canvas.

In the next stage, I applied thin coats of oil paints in layers recreating the original composition in the base colors allowing the underpainting to peak through. Many, many layers of thin glazes are applied to give dimension and form to the final painting.

Details are added during the later stages, I think of it as putting jewelry on after you get dressed to go to a party. You save the best for last.

Each day after if finish working on a painting in my studio I photograph it for reference and view the images on my computer to see the progress and decide if I want to make any changes along the way.

I prefer to work on thick gallery wrapped canvas and finish the work off with neutral floating frames. I aim for simplicity in form with exuberance and abundance in surface color. This painting has no visible brushstrokes which is also my preferred style of painting.

Mary Ahern-Original Fine Art and Prints

“Here I Am – Candy Wind Hibiscus” 20×20″ GW oil painting on canvas. $1,950.00.
For information about this original oil painting please Contact me directly.

I’m glad you came here so I can share my art with you.

Each person brings their own history, interpretation and emotion to a work of art.

My art isn’t complete without you. Thank you for being here. I love being an Artist!

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Apples in Boxes – Flowers in Squares – New Paintings on an Old Theme by Mary Ahern

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For decades I have been creating art in circles surrounded by squared edges. When I first made this type of work it was in the mid-1970’s. The circle was most often represented by an apple inside a square or cube. At that time it represented to me the yin and yang, female and male complements to our lives and our characters. The apple was an Eve figure, soft, female, curious, playful and seductive. The boxes were the rules, the male, the limitations, the protection and the containment of her attributes.

Apple in Boxes Pointilist drawing by Mary Ahern the Artist

Apples in Boxes – A pointillist drawing in ink on paper. c1970’s

 

I have recently returned to this theme but using flowers from my garden as the subjects rather than apples. It feels so calming to me when I create these voluptuous rounded floral paintings. This peony was the first in a series of exploring again the circle in a square imagery so I named it “Centering” because that is how I feel towards these works. I find my centering in two places, in my studio and in my garden. They completely complement each other, one provided by nature and one in interpreting that vision.

There is a difference between the imagery of then and now. These flowers, though they are encompassed in a square format canvas, they are not contained. They are bursting through the limitations of frame, of edges, of inhibition. They are positive and empowered by their form and by their explosive color. They are neither shy nor retiring. They declare themselves as having established their own space. They are declaring themselves as individuals.

Centering - Pink Peony Squared. Original oil painting by Mary Ahern the artist.

“Centering – Pink Peony” 36×36″ GW. Oil on Canvas. Original painting by Mary Ahern. To purchase or for additional information please contact the artist here.

 

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Not Just Another Flower Painting

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My Painting Studio. Mary Ahern Artist.

Paintings in progress in my studio. Visit my Art Shop.

The flowers I create in my studio with brush and canvas speak to me beyond their intricacy of form, color, ruffles and swirls. LIke everyone else they initially attract me with the way the color changes as the light graces their outer curves and when it delicately enters their inner recesses, their intimacy. The edges of petals dance like ballerina skirts bouncing in the breeze. Their edges are fluted, scalloped, curved and splayed defining their differences and embracing their similarities of purpose.

I love the architecture of flowers, not just how they grow on their stems, their height, their leaves and their unique outward appearance. I concentrate on the inner architecture of their center parts, the configurations of their pistils and stamens, their anthers laden with pollen. Quite frankly, these flowers are built to seduce their pollinators. The birds and the bees but also the billions of bugs who help by rolling in their pollen to feast and to share and to help create the next generation to grace the earth.

Flowers speak to me of our universe. Our purpose. Our endurance. Each flower is an individual with its own color, shape and form. It’s own choices of community, culture and companionship. It’s own needs for climate, food and water for sustenance. But we all share our need to survive, another season, another year, another generation.

Whether I am among the flowers in my garden or the flowers in my studio, I embrace our diversity and our commonalities. All these flowers in soil or on canvas speak beyond themselves, they’re ideas and thoughts beyond just the visual. They speak to the interior of our purpose and our minds. They are us.

My Garden with rhododendrons and hyacinths

A spring view in my garden makes my heart sing. Visit my Art Shop.

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Floral Contemplations. The Duality of Vision. New Work by Mary Ahern at the Bayard Cutting Arboretum 2018

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Mary Ahern Studio with Work in Progress for show at the Bayard Cutting Arboretum

My studio was overflowing as I created new work for my show at the Bayard Cutting Arboretum

Mary Ahern brought her award-winning style of floral and garden inspired art to the Bayard Cutting Arboretum from May 17 through June 17, 2018. Three galleries of her floral portraits were on display at the historic Manor House at the Bayard Cutting Arboretum in Great River NY.

Mary Ahern, known for her brilliant floral and garden paintings was showing her latest large-scale flower portraits. As a passionate gardener who is inspired by the gardens she designed and tends surrounding her own studio, these flowers represent to her a microcosm of the universe. The large scale of these individual portraits asks questions beyond the canvas.

What is the purpose for such magnificence in nature? What is the reason for such color, such form, such diversity? What is their relationship to the communities in which they belong, their relationships with other plants and species that sustain them, invade them and nourish them. What of their lifecycle of birth, growth, senescence and rebirth? As humans, what can we learn from their seemingly simple existence?

Initially we see with our eyes. We name it, identify it and classify it. But we also have a duality of vision which allows us to contemplate with an inner vision. This art invites both the external and internal views.

Floral Contemplations. The Duality of Vision

New Work by Mary Ahern

May 17 – June 17, 2018
Bayard Cutting Arboretum
Historic Manor House 
440 Montauk Highway Great River NY 11739

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Water World

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Water World – cold, restrictive, uncaring,

Sitting in it’s dark ——– just staring

At the blackness. Blankness.

Walls Without Windows.

Screaming so loud that no one can hear

In the isolation of my still infinity.

Unmovable arms, muscles pounded by waves.

Strength dissipated by the struggle.

Each year another breath of water

Engulfs my being, body and brain.

Dying Alive. Dark Death.

Arms at my sides grabbing for life.

Rocket screaming energy propels me from a watery grave.

Into the Red-Orange Sky.

 

Into the Red Orange Sky

Personal Writing by Mary Ahern, May 15, 1978

Illustration: Oil painting with digital overlays in Photoshop.

“The Red-Orange Sky” is the first painting I ever made. It was before I went to college to study art. I was taking Wednesday evening art classes at the YMCA near where I was living in Queens Village. Circa 1974.
The Digital additions for illustration purposes were made in Photoshop November 16, 2013.

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5 Days a Week

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5 days a week I go to school

2 days a week I teach

2 days goes to Little League

Dinner 4 x 7 each.

Friday sees the Pathmark grind.

That’s something I really mind!

Listening to my youngest read and

My oldest pitching with incredible speed.

The house gets cleaned maybe once a week

But I’m convinced my life is neat.

Writing by Mary Ahern. May 5, 1978

Five Days a Week

Pen & Ink Sketch by Mary Ahern, March, 1977

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A Creative Process Across Multiple Mediums

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One of the methods I use to visualize my Art is to take snapshots of my models and modify them on my computer. Since I’m not a photographer I only have a small point and shoot camera that I use to take photos in my garden or in my studio.

I took this snapshot of these orange tulips using natural light in my studio
I took this snapshot of these orange tulips using natural light in my studio

I import these snapshots onto my computer and using Photoshop I delete the backgrounds, modify the colors and otherwise play around with the image. I print the images from my Epson printers onto matte cardstock papers.

Using Photoshop on my Mac, I play around with colors and composition
Using Photoshop on my Mac, I play around with colors and composition

In this particular Art work, after making a completed tonal drawing which I discussed in my previous post, I traced the outline of the tulip onto 300lb hot press paper using a lightbox and a 2H pencil.

Then, using Winsor Newton watercolors, I put down my first layer of paint. Once dry I used my set of Prismacolor colored pencils to draw over the watercolor.

In this Mixed Media Art work I used colored pencil over watercolor
In this Mixed Media Art work I used colored pencil over watercolor

For some reason I find this process to be very relaxing and meditative for me. If I need some calmness in my life, I can go to my studio at any time and pick up right where I left off. No fuss, no muss, no bother.

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Creative Process

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There are so many ways to create paintings. As an Artist who has been creating for over 35 years I have developed a variety of methods to arrive at my finished work. Sometimes it is interesting to get a peek behind the process, so here is one style I enjoy.

Snapshot of some Orange Tulips I used as the basis of this series of Art works
Snapshot of some Orange Tulips I used as the basis of this series of Art works

Since I’m not a photographer, I take snapshot of flowers I either buy or grow. I usually select them for color or just for form. I find myself attracted to large bold shapes rather than the more frilly inflorescences. I then decide what mediums I will work in and whether there will be one finished Art work in one or more mediums or whether the work will be part of a series.

I love creating tonal drawings so I often do a finished piece in graphite before I start a painting just because I like the feel of drawing. It also is a great way to work out values of highlights and shading.

Tonal drawing of a tulip. I use a pair of magnifying lenses which I hook onto my bifocals to help me see the details
Tonal drawing of a tulip. I use a pair of magnifying lenses which I hook onto my bifocals to help me see the details

If the work is part of a series, I need to imagine the size of each piece and the total overall impression I’m looking for. This ups the level of complexity considerably and actually makes for quite a nice challenge to my visual imagination and my technical consistency.

For a series of work I need to choose the size of each work and the size of the overall series.

I also need to create a composition that stands alone as well as works for the series.

I use my altered snapshots to help me come up with my composition in this series
I used my altered snapshots to help me come up with my composition in this series

My work must not only be accomplished to my own standards for each piece but it must be consistent across all the work. This can be tricky if you don’t create all the work during the same or close to the same period of time.

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Jacqueline Penney Art Gallery & Studio

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I was lucky this cold winter week in December. I went to the beach, hung out at the marina, and gazed at flower gardens in full bloom.

You think I’m kidding? Well, I’m not. I was lucky enough to visit the Jacqueline Penney Art Gallery & Studio in Cutchogue Long Island NY.  Now this is an Artist who loves sunshine! Take a look at her work at her website http://www.jacquelinepenney.net and then make an appointment to go see and collect her work.

Jackie is a real renaissance woman. She paints, she teaches and she writes books helping others to enjoy the experience of creating Art. She is a sharing and giving human being and it shows in her work.

Her beautifully re-designed 1840’s barn is at once her home, her studio working space and the gallery where she sells her work to the public. This seamless breaking down of boundaries defines a truly creative person. There is no beginning, no end, just the all-encompassing act of creating.

The way she lives and the way she lives her life describes a true Artist.

JACQUELINE PENNEY ART GALLERY & STUDIO

Jacqueline Penney Art Gallery & Studio

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Anemone coronaria in the Garden and in Art

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Anemone coronaria in the gardenMy Garden and my Art work side by side. Both require me to make aesthetic judgements about composition, scale, color, texture and style. When I’m deciding where to plant the flowers I’ve hauled home on my endless trips to the nurseries it doesn’t seem that much different to me then when I’m deciding how to compose them on a two dimensional surface.

I think about what style I’m looking for, what colors will work together, whether the scale of the placement works for me. I think about the type of flower and texture of the leaves. I make decisions about the 3D composition of the garden much like the 2D composition decisions on a painting.

Anemone coronaria in a Watercolor PaintingThe garden adds so many additional layers of complexity since the artwork is moving in time with nature, the seasons, the elements, and time. The painting remains caught in a moment.

Capturing that ephemeral moment is so gratifying to me in my Fine Art. I control it, unlike my Garden which is usually out of control.

You can visit this Watercolor painting on my website in The Work or you can buy a print of it in The Store.

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