Tag Archives: Career Changing

Women Helping Women: A Recipe for Success

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There were women who stepped into my life’s journey that changed the course of my life at critical junctures that I only realized in hindsight. I was raised in a very conventional household by strict European parents with very defined roles. By twenty years of age, I’d come to the pinnacle of my success with my prince charming of a hubby, a baby, and our own home. What a relief! I had it all. The American dream. Contentment personified.

Two Women Friends

Mary (L) and Roberta ~ 1977 Photo Courtesy: Mary Ahern

Until my beloved hubby rocked our little world by wanting out of our paradise. I had no life preparation beyond anything except the happy home, two sons, a dog, and a white picket fence. I didn’t know any woman who worked, let alone was raising their children by herself. I honestly imagined my sons, and I would starve to death without a man to work and earn the money to use in the supermarket. The windows in our home became a prison to me, keeping us silently and painfully apart from the world. My dark hopelessness led me on frightening trails of despair and death.

The emergency slowly passed. Life settled down a bit. But I was changed forever. I knew I needed to control the outcome of life for my sons and me. Then, I met Roberta at the YMCA Swim and Gym classes for our three-year-olds. She was a biology professor at Queen College and showed me I could get educated. Because of her, I went to college, got my degree in fine arts, and then got my divorce on my terms.

With confidence and a goal, I got a job at Barnard College, the women’s college of Columbia University, a bastion of feminism—an entirely new world of supportive women who opened up a vast world for me. Martha hired me as the office manager since, as she said, any single mother knows how to balance time and tasks. Since classes were free for employees, I studied programming in the School of Engineering, and Martha encouraged me to get into the then nascent field of computers. She also said to follow where a company makes its money, so I should go into sales or finance for my career. I took her advice.

Mary’s Office Just After Starting Her Own Business, Online Design (1995)
Photo Courtesy: Mary Ahern

Mary Ann had a Datsun 280 sports car, wore gold jewelry, and owned expensive houses. She showed me women on their own can be wealthy. I determined that if I couldn’t be home at 3 o’clock with the milk and cookies, I would make the most money I possibly could. She showed me it was possible.

I went into the sales field in the male-dominated computer graphics industry since there I would earn money based upon my own efforts while combining my art, graphics, and computer backgrounds. And I did. Until I hit my head on the glass ceiling. So, I started my own graphic design/marketing business.

As an entrepreneur, I controlled how I used my time, benefited financially from my own skills and efforts, chose the types of work that intrigued me and created and designed my own lifestyle.

And now is my time in my journey; I get to pay it forward. Using the models, the women before so wisely gave me, I am able to generously offer my experience to other women. Being an active member of the National Association of Women Artists (NAWA), I am in a position to share my business experience in sales and marketing with many other women to help them move along in their own journeys. Like having a delicious piece of apple pie with a scoop of ice cream and a cherry on top at the end of an exquisite meal, I’m finally having my dessert.

NAWA has been empowering women artists for 135 years as the first women’s professional art organization founded in the US. Like the women who helped me in my life’s journey, I’m comforted by knowing I’m also helping other women in theirs. As Isaac Newton said: “…if I have seen further than others, it is by standing upon the shoulders of giants.”

My life is filled with gratitude for what I have experienced and learned throughout my life, and that I now have an opportunity to share with other women in my community of professional women artists. Life is sweet!

National Association of Women Artists (NAWA) 2023 New Member Induction Ceremony
Mary (Bottom Row, 4th from Right)
Photo Courtesy: Mary Ahern. Chair of Public Relations Committee

 

Originally published in Sanctuary Magazine March 2024

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My Dual Passions – Art and Gardening

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At the age of 14, I was alone and lying in the summer grass on a hill in Brooklyn, New York, staring upward through the leaves at the passing clouds while trying to understand why a person I loved dearly had suddenly died. Without an anchor or language to explain the passage, I was at a profound loss and searching for an answer, an explanation. I clearly remember feeling the warm energy from the ground swell up and pass through my body and like a mist, mingle into the leaves and up into the clouds in that deeply blue sky.

At that moment, I recognized that I, as a person, was another aspect of nature, joined with the wind, the air, the plants, the trees, and all life teeming around me – just another form of energy. This gift has been with me throughout my life and is what I gather in my garden and express in my art.

1985 - Mary Ahern in the Cablevision studio working with the Chameleon electronic paint system.

1985 – Mary Ahern in the Cablevision studio working with the Chameleon electronic paint system.

Mary-painting-the white iris in her studio

Painting in my studio. The white iris blooms in my garden each spring. I glaze with thin washes using a fan brush and thinned paints.

My Zig-Zag Journey
Like most of us, our life journey takes many paths. For me, my twists and turns led me to a career that blended my fine arts training with my technical background. As a single parent with two hungry sons, I found a way to keep one foot in the arts by selling computer graphics equipment into the broadcast television industry. Creating graphics and fine art using the computer as my medium enabled me to have the financial stability I needed to live the life I envisioned for myself and my family.

Learning is a lifetime passion for me. Within the classroom, I have formal degrees and certifications in fine art, horticulture, botanical illustration, logic and computer programming. To this day, I continue to take online and offline workshops in marketing, writing, and various artistic mediums and genres.

Throughout my work career, I always maintained my studio art practice since it is the root of all that I do and who I am as a human being. At the present time, I have the good fortune of continuing to work independently without needing clients, creating my artwork, showing it extensively in exhibitions, and lecturing on art.

Woodland Garden entrance.

Entrance to my woodland garden. Throughout my garden there are round things to be walked through, around and over.

I am not just an artist. I am a horticulturist on a mission to transform my surroundings. I created an artistic landscape around my home as a place to immerse myself – not simply a garden to be admired while sitting on the deck. Initially, I did not have a specific plan. Instead, I let the woodland speak to me. These woodland paths have gifted me with decades of intimate and satisfying connections with nature. I immerse myself in the changing light, the turning of the seasons, the gifts of growth, and the sadness of loss as the garden goes through its life cycles. This connection with nature has inspired my mind and my art for decades.

Creating my garden has many components, as does creating my art on canvas in my studio. The mediums change, but the design concepts are consistent. Through the creation of my garden and my paintings, I take into consideration traditional artistic issues such as focal points, perspective, repetition, rhythm, texture and scale. In designing my garden, however, which I consider a three-dimensional assemblage of objects, I also add the variables of time, season, vulnerability, happenstance and science to the creative process.

I have been designing and working in the woodland garden over the course of 30 years. It’s a place of journey and meditation. I’ve been collecting round things most of my life. They feature heavily in much of my art and garden designs.

Click here to see more of my oil paintings 

 

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The Start of my Art Journey

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In 1973, fifty years ago I began my artist’s journey. Since I’d majored in music during my Junior and Senior High School days, playing the trumpet and conducting, I hadn’t taken any art classes. It wasn’t until my youngest son went to pre-school that I began stretching my wings.

My first step towards discovering that my life’s work would be an artistic journey was buying a Jon Gnagy, Learn to Draw set and experiencing a sensation that the charcoal was an extension of my hand, my arm and my body. It was thrilling!

After completing his entire set of drawing lessons, I decided to take painting classes at the local YMCA where I lived at the time in Queens, NY. So, I arranged for a babysitter, signed up for the oil painting class and made my first foray into Jerry’s Artarama art supply store with my supply shopping list in hand. How electrifying to be exposed to so many wonderful and exciting new products, widgets, thingies, colors, brushes, papers and canvas. Oh, the possibilities!

 

And that began my art supply addiction ;-).

Peach Still LIfe Painting by the artist, Mary Ahern

Still Life with Peaches, my second oil painting which was completed in 1973

Along with the small tubes of Grumbachers, some brushes, canvas boards and mediums, we were instructed to bring some pictures from calendars or notecards that we could use to copy. My first calendar photo was of a brilliant orange sunset with the silhouette of a house at the bottom. I still have these early paintings, some on walls, some tucked away.
The second oil painting I ever did I copied from a placemat that I had borrowed from a neighbor.

I so loved the image, not knowing at the time that it was representative of the golden age of Dutch still life painting from the 1600s. I had no formal knowledge of art history but, being Dutch, and having spent time in Holland as a child I had been exposed to the art hanging in the homes of my extended family. That still-life image spoke to me in a way I didn’t understand at the time. It spoke to me of family, of my history, of roots, of connection. It is also part of my art journey, not just another painting but the beginning of a 50-year adventure with all the ups and downs, zigs and zags. An adventure that, I’m happy to say is still unfolding!

This is my studio wall from some years ago with artwork covering a piece from many decades. Some are now in storage, some have moved to different walls. All of them speak to me of my life and artistic journey of these exciting 50 years of creativity.

Studio wall in 2019

One of my studio walls in 2019 with work from before college, during college and after college. Various mediums from oils to pastels to needlework to watercolor.

 

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Changing My Mind About Genre and Purpose in my Art

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Over the last few years, my art has shifted away from painting what I think will be popular. Selling lots of prints, in lots of sizes both online and offline, I knew I could make piles of money in my sleep. What fun!

That thinking is no longer my goal for making my art. Don’t get me wrong, I love selling, it’s in my blood. It was my career for many years. But times have changed for me. Circumstances have changed too. I’ve stepped out of the rat race. Out of the business world strictly speaking.

I stopped painting for cash. Stopped picking the most popular flowers, in the most popular colors, in the sizes that sell the most.

I’ve turned inward. I’ve begun writing about what matters in my life, in my world. I care more now about my work being a form of meditation. An opportunity to ponder our place in the universe.  My flowers are to me a symbol. A microcosm of the universe.

Since my art starts in the garden, I’m now seeking to translate lessons I’m learning there that inspire my work. I’m learning to write the stories, the messages, the ideas that motivate me to dedicate a painting to them. I care about what the painting will symbolize for me and perhaps for others.

Writing is helping me to find the language to express my thoughts. These thoughts are embedded into the artwork I create. Each painting is a manifestation of these ideas. I am now working towards a deeper interpretation of my work beyond just the visual.

In thinking about my art I had always labeled myself a floral or a landscape painter. My work was very realistic, the more realistic the better. I loved creating the details.

However, the work I’ve begun doing over the last few years has changed. My mediums, my style, and my thinking. For the past 30 years I’ve been a digital painter, (yes, before Apple, before Photoshop). Now I’ve returned to my roots and I’m painting again in oils. There’s no $20,000 digital system between my work and my body. I am again, up close and personal.

This change in medium, this physical closeness to my work, this reawakening has given me an opportunity to re-evaluate what it is that I’m trying to do. To say.

As my forms become more simplified, more minimal, more stylized, my thinking has gone deeper. Richer. More meaningful. So this is why I now relate less to floral painters but more to meditative, more minimalistic painters, more abstract painters. It’s not really just about the flower. The colors. The form. It’s about what I’m thinking, what I’m feeling, what I’m learning. The garden is my tutor. These are lessons we can all learn if we pay attention quietly to what’s around us. The lessons carried to us on the wind.

 

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Mary Ahern Artist Biography

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VORACIOUSLY CONSUMING LIFE

Mary Ahern Painting in the StudioThrough the twisting paths and obstacles in life, the two constants for me have been my Art and my Garden. These are my anchors. They keep me balanced, complete, secure. The arrival of spring flings me from my studio where I’ve been creating my Art all winter, into the emerging garden surrounding my studio.  The colors shout optimism to me. The joyous season has begun again. This is where I grow my subjects and gather the imagery for my work.

I’ve been an Artist for eons, exploring as all true Artists do, a myriad of subjects and with enough mediums that fill drawers and cabinets throughout my studio. I’ve been zigging and zagging throughout my journey with all the bumps and joyous bursts I could grab. Some of my work through the years has had autobiographical underpinnings, some of it was icy flat. I’ve worked big and I’ve worked small. But when it comes down to it, I love color.

RIFFING ON CLASSICAL ART

Continue reading →

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How the Art World Has Changed For Me

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As a person involved in creating art for the past many years, the opportunities and revelations keep coming.

Mary Ahern - Floral Park Art League 1975. The Art world has changed.

Mary Ahern – Outdoor Art Show with the Floral Park Art League 1975

The art world has changed but so have I. I’m more self-assured about my work than I was at the beginning. Through a lifetime of hard work, bumps, skids, rashes, pain, zigs and zags I’ve developed the thick skin needed to have confidence in my skills as an artist and as a person running a small business selling and showing my art.

We all know the tremendous changes that the internet and social media have introduced into the careers of artists. We are now independent enough to take our careers into our own hands rather than rely on galleries as the only outlet to selling or placing our work. I’m sure that for some artists, galleries are the central force in placing their work in prestigious collections and museums. For most of us though, galleries are not the only answer any longer.

Gallery representation isn’t for everyone

One of the obstacles for me is that I have 3 distinct bodies of work in which I like to create & promote. One is digital, one is in traditional mediums and the third is a combination of both. Even though they all focus on the same subject matter, flower and gardens, they all have very distinctive looks. I love the freedom that being independent affords me so I can create in whichever medium I choose.

As a lifetime entrepreneur the thought of having a gallery owner tell me what they want and when they want it is abhorrent to me. There is a benefit to being a working artist for many, many decades. I have the emotional and financial security to remain an independent artist. Having spent my former career in sales and marketing and also having had my own graphic design business for decades, I have the skills that many artists don’t possess. 

I’m committed to creating my own art styles, exploring new mediums, enjoying the process of experimentation. But I’m just as committed to running my art business. Because of the tools now available through technology, the internet and social media I can do that myself at an affordable price. It’s a game-changer.

Recently I was asked what advice would I would give to my 21-year-old self on how to get started and keep motivated?

I can’t speak to my 21-year-old self since I was married and the mother of a baby boy by then. I didn’t put myself through college until my youngest went to nursery school. By the time I graduated from art school I was a 32-year-old single parent. A career was foremost on my mind in order to support my sons but I knew that I needed to focus on the arts in some way to follow my calling. By creative thinking & sheer guts, I got myself into the nascent computer graphics industry in the early 1980’s as a salesperson who had to use and demonstrate graphic devices and electronic paint systems. This gave me a toe-hold into the conversation of creative arts. 

Critical as well was that I always maintained a working studio in my home, even sitting in it & studying art history books when I was too stressed to pick up a brush. Because I kept my focus on the artist part of me more than the technologist part of me I was able to transition into creating my own art more often as my sons grew up and life became easier. Maintaining this tangential association with the creative arts was the reason I’ve been able to now focus 100% of my effort into my artwork.

Keeping motivated isn’t difficult when you’ve burned with the desire to create your whole life. What does help however is having artist friends and mentors who understand the struggles to carve out the time to express yourself in an ever-busy world. Accountability partners help me to keep the balance needed to make room for the creation of art and the running of an art business. Either one of those activities is all-consuming but without one you don’t need the other.

Mary Ahern-Artist Talk. The Art world has changed.

Mary Ahern giving an Artist Talk at The Firefly Artists Gallery in December 2019.

 

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What I Did After Art School

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As I mentioned in a previous post, Professor Louis Finkelstein, the Art Department Chairman abruptly walked out on me at my senior thesis show when I mentioned that I was about to be a single mom declaring it to be impossible that I could also be an Artist. He previously had offered to sponsor me to the notable, Robert Pincus-Witten for a Whitney Museum Graduate Fellowship program but suddenly I was anathema. That event took my breath away for quite some time until I began to gather the pieces of me that felt flayed and strewn to the wind.

So what did I do to salvage my heart and soul? Since 4 years of art school didn’t train me for anything remotely connected with making a living, I knew I needed more education. I also found out that if you worked at a college your tuition was free. So I made a list of colleges I wanted to attend & found a job in the career services office at Barnard College. During my lunch hours, I attended computer programming classes at Columbia School of Engineering. Going from such intense right brain to left brain work was so difficult it often physically hurt.

Barnard at the time was a bastion of feminism and my boss, Martha Green guided me and untold numbers of other women into successful and rewarding careers based upon skills which, I for one did not know I had. She recognized in me untapped horizons and restored my confidence.

1986 Mary Ahern sells the Chyron Chameleon

Mary Ahern demonstrating the Chyron Chameleon electronic paint system 1986 at the Cablevision television studio in Woodbury New York

 

From the support and direction I received from the women surrounding me at Barnard, I launched my career into sales, because that’s where the money was, and computers, because that’s where the future was. I zig-zagged my career in computers over the years to capitalize on my Fine Arts degree by selling computer graphics equipment to the creative departments in the television broadcast and industries. My art helped me sell those systems.

So here I am, still painting, still an Artist, proud of having supported and raised my sons on my own. Now I work every day in my studio surrounded by the gardens I created that inspire my Art.

I kept my eyes and ears open and when one mentor slammed the door another mentor opened it for me so I could charge through. Success is the sweetest revenge. Thank you Martha!

Mary Ahern's studio February 2018

Mary Ahern’s studio. Still painting after all these years!

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Why I Never Met Robert Pincus-Witten

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Pincus-Witten, the art critic, curator, historian, author and individual who in 1971 coined the term, “Postminimalism” has died. It reminded me of a brush with greatness that never happened for me. Let me explain.

During my college years in the 1970’s in the Queens College art department program in New York, I was expressing myself with the same underlying emotional & intellectual content in a variety of mediums. It was a time of the emergence of feminism for me and the search for self. An awakening of the world I lived in, was raised in and thought I understood.

Boxed In. Sequential #4. by Mary Ahern Artist

Boxed In. Sequential #4. 12″ cube. Acrylic, Fishing Line, Fiberglass Insulation. © Mary Ahern.

I entered this program as an older student at the age of 27, married with two young children. Needless to say, I didn’t quite fit in with the rest of the much younger student body. Most of my creative work, rather than using the studios on campus, was done at home in my own studio/dining room after I put my sons to bed in the evening. This actually freed me to create more independently than I might otherwise have done.

I followed my own muse. I created sculptures and assemblages using acrylic boxes, clear fishing line, minimalism inspired grids, feminine but painful masses of pink fiberglass insulation. I used distorting mirrors, bindings, weavings of ropes/cords/threads in numerical sequencing. I painted windows where the panes of glass protected or imprisoned using the gridded mullions in defined mathematical ratios. I used graphite, pastel, cut paper & photography to explore my own body landscape and journey of discovery.

All my work at that time explored the balance of male/female, pain/protection, enclosure/exclusion, geometry/biomorphism, math/chaos. One side of me embraced the rigidity, consistency and comfort I found in minimalism but the other part of me was rebelling against those very same norms.

At my senior thesis show, all my work was on display, my sculpture, my drawings, paintings, assemblage, photography and my written papers. Years of independent thought, exploration and interpretation.

Louis Finkelstein was my advisor, a professor I had never met before nor taken a class with but a very prominent and influential person in the NYC art community of which I longed to be a part. He spent a great deal of time viewing my work, reading my papers and asking me questions of motivations & process.

He was impressed by my work. He told me that he said he was going to introduce me to Pincus-Witten and propose me for an independent studio fellowship offered by the Whitney Museum of Art. I was itching all over with the prickles of joy.

And then the ax fell. I mentioned to Prof. Finkelstein that I was in the process of a divorce and just straightening out the details because I had two small children.

Without one further question put to me, without one opportunity for me to elaborate, Finkelstein stood up from his stool (and here is where my memory is a little bit muddy) said either, “A divorced woman can’t be an artist” or “A divorced mother can’t be an artist”. And he walked out of my life taking with him my dreams of ever meeting Robert Pincus-Witten.

Next Step by Mary Ahern

Next Steps. Collage. Color-aid paper. 11×14″ Framed. © Mary Ahern.

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Chasing Dreams, The Long Hard Road

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You would think that if you were given the gift of reinventing yourself into a career which would be more personally satisfying emotionally and without consideration of financial income, you would instantly jump into the deep end of the pool.

Well, I’m here to tell you that it doesn’t work like that. When my new husband Dave, gave me the gift of reinventing myself at the age of 50 I felt overwhelmed. What I found was that for all the years as a single parent when I was working without a net, I put my blinders on and just charged forward.

Yes, I had morphed my career repeatedly to keep it tailored to my strengths and to keep it as interesting as I possibly could. Yes, I had given up corporate America to form my own company when I got a concussion on the glass ceiling. Yes, I was more aware than most of what parts of my careers I enjoyed and what parts I did not.

So here you are at midpoint looking for a new career that will fulfill you in a different way than your original career. You may have enjoyed your work and the environment and friends you made along the way. But you may have outgrown it or outgrown the need for the tradeoffs you made in order to pursue the work.

My Garden BootsYour children may have grown and college is paid for. Your health status may have changed or you no longer want to be on planes four days a week like I did for many years. Your marital status may have changed for the worse or for the better as mine did when I married Dave after 17 years between my two marriages.

Chasing your dream is not easy. It takes courage to look deeply inside yourself. It takes courage to be honest about your long and shortcomings. It is a long and often hard journey to rediscover yourself.

The journey begins with just one step. Take it.

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Searching for the Dream Seems Easy. It is Not.

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On January 5, 2008 I was featured in an article in Newsday titled “Dream Chasers.” The subject was the choices and sacrifices some people make when deciding to step off the corporate treadmill in order to pursue more emotionally or spiritually rewarding careers without regard to financial restraints.

The author of the article, Arlene Gross, wrote about the choices, decisions and sacrifices of five different individuals. The various paths we chose to explore in our second careers are as different as our paths in our initial and primary wage earning pursuits.

Noel Rubinton, the editor of the Act Two section of Newsday, however, hit on a different issue when he encouraged people to use the New Year as an opportunity to explore yourself even if you couldn’t at this time make the giant leap of a whole new career.

Noel wrote that, “A line that really resonated in our cover story came from Mary Ahern… finding that switch took work. ‘The hard part at first was trying to find inside myself what that dream actually was. You spend so much time marching forward and doing what you do, you lose the essence of yourself’.”

When my husband Dave gave me as a wedding gift, which coincided with my 50th birthday, the opportunity to re-invent myself you would think I would have immediately jumped into my studio. Instead I whined and anguished for a months over what I wanted to do with this great new vista open to me.

I was so overwhelmed with the immense possibilities I now had available to me that I suffered each day trying to make the right decision with this precious gift. I spent so much time trying to fathom what makes me tick, what intellectually interests me, what direction would support my value system, what new career would be feasible and sustainable for the next 30 or so years, what would not impinge on the home life that we had just found together and cherished so much.

I talked about it endlessly. I beat it to death. I’m sure there were times that Dave wished he hadn’t made the offer since I was so annoying in my pursuit of the “what if’s”. Massage therapist? Lawyer? Chiropractor? Quite frankly, I never even considered Artist.

I knew one thing for sure. I was tired of computers and wanted to become a Luddite. And then one Saturday morning, sitting on our deck, having coffee while surrounded by the gardens I designed and have worked on for decades, Dave suggested that since we loved the gardens so much and they gave such joy to people, why not design gardens for others.

BANG!

2002-05 Mary planting her tropical garden Ten days later I was enrolled as a full-time student in the Ornamental Horticulture Program at Farmingdale. I knew I wanted to be a landscape designer and this was the best beginning. Two years later I graduated with my degree and a new career.

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Over Thirty Years of Chasing My Dream

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After seeing the photos and reading the article Dream Chasers, written by Arlene Gross for Newsday, which featured myself among others who have turned in mid-life to careers which are more personally satisfying, I have enjoyed revisiting my journey.

Mary Ahern showing her oil paintings at the Floral Park Art League in 1976

Here is a photo of me with my Award winning oil paintings at the Floral Park Art League in 1976. I painted them all before I began my college Art education. For a year I took oil painting classes on Wednesday evening at the YMCA in Bellerose Queens NY and from this experience I found my life’s calling.

Each year I looked forward to showing my work at this outdoor art show and each year I sold some of my works. What a wonderful experience it is to realize that work you created from your own imagination and from assorted colors in tubes moved others in such a way that they will give you money that they earned so they can hang your vision on their walls. I am still moved that my skill and vision will enhance their lives each and every day.

2007-05-28 Mary on cell phone answering questions at the Washington Square Outdoor Art Show, NYCThirty-one years later I’ve returned to selling my Artwork outdoors at festivals. This shot of me was taken while I was taking a call on my cell phone at the Washington Square Outdoor Art Festival in New York City in May of 2007. I still enjoy getting out of my studio and meeting people. Speaking to my customers energizes me and personalizes the selling experience. At shows I always enjoy seeing some of my former customers who come by to say hello and tell me where they hung the Art they’ve bought from me and how much they enjoy seeing it everyday.

It doesn’t get better than that!

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Dream chaser Newsday article

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I was featured in a Newsday Business section article written by Arlene Gross. The excerpt focusing on my background and my life choices is copied below. If you’d like to see the article in it’s entirety you can see it on my website in the Press section.

Dream chasers

At midlife, taking lower pay to begin more satisfying careers

By Arlene Gross

Special to Newsday
11:07 AM EST, January 4, 2008

Newsday photo of Mary Ahern at ComputerMary Ahern had (experimented) in art for many years, but had never been able to actually make a career of it. Until four years ago, that is, when she made the switch to full-time artist.

“I had always been a creative artist,” the Northport resident, explained. “Life, however, intervened, and as a single parent, I was never able to create my art on a full-time basis.”

Changing careers at midlife is no small feat, and switching to one with substantially less earning potential is more difficult still. According to Randy Miller, founder and president of ReadyMinds, an online career counseling service, downsizing a career can be a source of great anxiety.

Newsday photo of Mary Ahern painting in studioYet for some people, any fear or hesitation is mitigated by the yearning to follow a dream. Seeking more spiritually uplifting endeavors can be the ultimate challenge, and Miller said any attendant loss of income is often compensated with a renewed sense of purpose and newfound happiness.

“There are a lot of people who go through life and think, ‘What if?'” Miller said. “With a strategic plan, coupled with the new passion and ultimate objective of doing something different, one can more easily achieve their ultimate goals.”

For Ahern, a new husband provided the impetus and financial support to move forward. Income, the couple concluded, was less relevant to the quality of their lives than the legacy they wish to leave behind.

“When we married, Dave urged me to follow my dream,” she recalled. “The hard part at first was trying to find inside myself what that dream actually was. You spend so much time marching forward and doing what you do, you lose the essence of yourself.”

Once their five children — all from previous marriages — were finished with college, Ahern felt it was OK to follow her calling.

“My income from my art doesn’t yet come close to the money I’m used to making in either my career in computer graphics equipment sales or my own graphics design firm,” she said.

One of her greatest sacrifices was a big dip in retirement savings, which now come exclusively from her husband’s salary.

“We have a comfortable nest egg,” she said, “but by coming out of a conventional career, I no longer have the extra cushion to add to my existing portfolio of tax-advantaged savings vehicles.”

Despite her diminished earnings, Ahern says she is happier. “I am living the life I am meant to live,” she said.

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