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Behind the Scenes Preparations for a Solo Art Exhibition

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Mary Ahern hanging artwork

Here I am on a ladder hanging my exhibition

Most people think the amazing artwork you created & have hanging on the walls at your Solo Art Exhibition is where you put all your energy. If you are like most artists who represent themselves as I do, this means that you are the person responsible for creating all the art as well as all the promotion that goes along with a successful outcome of your show.

When I had my third solo exhibition at the Bayard Cutting Arboretum in Great River, Long Island, New York, not being a prolific artist, I worked every day for years to fill three rooms in this historic Manor House with my artwork.

In the exhibition on display were my drawings, colored pencil works, abstract acrylics, painting in oil and mixed media paintings in acrylic and oils. Over 40 original pieces of art which I created in my studio, prepped for hanging, documented on spreadsheets, matted and framed when called for, transported and hung.

Most people think that an artist just creates in their studio but that’s only part of the process if you are a self-representing artist. There is plenty of creativity in marketing as well. Here is some more of the creativity that I put into an art exhibition.

 

Here is some more effort that I put into an exhibition.

  • Solidify the venue, show dates, opening reception and artist’s talk dates and sign the contract, individual and shared responsibilities with the venue.
  • Internalize and create towards the general theme of the show that will be the focus of the art and the marketing.
  • Create a model of the exhibition space using accurate proportions for planning the quantity & sizes of artwork. Use either Architech’s drawings, graph paper, or a digital program.
  • Create a spreadsheet for a working model of how many works you need & where they are in the creation process
  • Analyze the amount of time you need to create the artwork. Be realistic.
  • Capture WIP images to promote the upcoming show, both stills and videos.
  • Continue to post about the progress of the work on social media to raise interest in the upcoming show.
  • Write about the work regularly. Some for publication and some for understanding your process & progress.
  • Create a postcard to snail mail and for handouts. Mail the postcards to the appropriate people in your database of contacts.
  • Create newsletter content to email to your mailing list with both images & text: I use MailChimp
  • Send emails to your list regularly months before the show opens, showing photos of the WIPs & talking about the process. Ie. the thoughts behind the work, the mediums, the tools, etc.
  • Continue to post to all social media channels about the preparations & creation of your work.
  • Write & send press releases to your publication list in your database well before the opening of your exhibition.
  • Create price lists to distribute with your letterhead and contact info. I use Excel and put images of each painting next to the title so it can be easily identified by potential customers.
  • Design business cards, handouts, bios, and takeaways & get them printed in or out of house.
  • Keep your website updated with info about the exhibition.
  • Post regularly to your blog to keep people informed about the upcoming show.
  • Create wall signs with the # of the piece, title and medium that corresponds to the printed price list. (more info about each piece if you have time & QR code if you have them)
  • Plan the delivery of your artwork, the protective packaging like bubble wrap or other protective material, the transportation, and the assistance you may need.
  • Once the exhibition is up, 
  • give yourself a well-deserved reward before you start working on your Opening Reception menu and Artist’s Talk Powerpoint.

Marketing an Exhibition

 

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ChromaLuxe Spotlight Artist, Mary Ahern

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ChromaLuxe Spotlight Customer Mary Ahern

Click here to download the brochure.

ChromaLuxe is the leader in aluminum for a variety of industries. The thick gauge of aluminum and the brilliance of their color matching makes for a perfect vehicle for my flower and garden prints.

I tested many brands from various vendors and ChromaLuxe proved to offer the superior product for my work. Prints of my original paintings have been hanging in my garden for over 5 years now. They have withstood winter snow and summer heat. I wouldn’t sell something I didn’t trust.

As an appreciation for my testing and our collaboration ChromaLuxe created and distributed a full-color brochure of my Artwork on their exterior grade aluminum.

To purchase the aluminum prints of my original paintings please visit the Metal Prints section of my Art Shop.

You can even take your mobile device outside into your garden to use the Live Preview/Augmented Reality feature to see what my artwork will like in your garden. Have fun!

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ChromaLuxe Customer Spotlight, Mary Ahern Artist. Page 1.

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ChromaLuxe Customer Spotlight, Mary Ahern Artist. Page 2.

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ChromaLuxe Customer Spotlight, Mary Ahern Artist. Page 3.

 

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How the Art World Has Changed For Me

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As a person involved in creating art for the past many years, the opportunities and revelations keep coming.

Mary Ahern - Floral Park Art League 1975. The Art world has changed.

Mary Ahern – Outdoor Art Show with the Floral Park Art League 1975

The art world has changed but so have I. I’m more self-assured about my work than I was at the beginning. Through a lifetime of hard work, bumps, skids, rashes, pain, zigs and zags I’ve developed the thick skin needed to have confidence in my skills as an artist and as a person running a small business selling and showing my art.

We all know the tremendous changes that the internet and social media have introduced into the careers of artists. We are now independent enough to take our careers into our own hands rather than rely on galleries as the only outlet to selling or placing our work. I’m sure that for some artists, galleries are the central force in placing their work in prestigious collections and museums. For most of us though, galleries are not the only answer any longer.

Gallery representation isn’t for everyone

One of the obstacles for me is that I have 3 distinct bodies of work in which I like to create & promote. One is digital, one is in traditional mediums and the third is a combination of both. Even though they all focus on the same subject matter, flower and gardens, they all have very distinctive looks. I love the freedom that being independent affords me so I can create in whichever medium I choose.

As a lifetime entrepreneur the thought of having a gallery owner tell me what they want and when they want it is abhorrent to me. There is a benefit to being a working artist for many, many decades. I have the emotional and financial security to remain an independent artist. Having spent my former career in sales and marketing and also having had my own graphic design business for decades, I have the skills that many artists don’t possess. 

I’m committed to creating my own art styles, exploring new mediums, enjoying the process of experimentation. But I’m just as committed to running my art business. Because of the tools now available through technology, the internet and social media I can do that myself at an affordable price. It’s a game-changer.

Recently I was asked what advice would I would give to my 21-year-old self on how to get started and keep motivated?

I can’t speak to my 21-year-old self since I was married and the mother of a baby boy by then. I didn’t put myself through college until my youngest went to nursery school. By the time I graduated from art school I was a 32-year-old single parent. A career was foremost on my mind in order to support my sons but I knew that I needed to focus on the arts in some way to follow my calling. By creative thinking & sheer guts, I got myself into the nascent computer graphics industry in the early 1980’s as a salesperson who had to use and demonstrate graphic devices and electronic paint systems. This gave me a toe-hold into the conversation of creative arts. 

Critical as well was that I always maintained a working studio in my home, even sitting in it & studying art history books when I was too stressed to pick up a brush. Because I kept my focus on the artist part of me more than the technologist part of me I was able to transition into creating my own art more often as my sons grew up and life became easier. Maintaining this tangential association with the creative arts was the reason I’ve been able to now focus 100% of my effort into my artwork.

Keeping motivated isn’t difficult when you’ve burned with the desire to create your whole life. What does help however is having artist friends and mentors who understand the struggles to carve out the time to express yourself in an ever-busy world. Accountability partners help me to keep the balance needed to make room for the creation of art and the running of an art business. Either one of those activities is all-consuming but without one you don’t need the other.

Mary Ahern-Artist Talk. The Art world has changed.

Mary Ahern giving an Artist Talk at The Firefly Artists Gallery in December 2019.

 

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Have Fun Buying Art Using Augmented Reality

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Selecting art to buy online can be daunting but it doesn’t have to be. In my Art Shop I’ve added a few features to help you take the guesswork out of what art and what size will work in your space and what will not. It’s called Live Preview AR (for Augmented Reality.)

Here’s a video I made to get you excited to try this yourself!

Using your own mobile device you can select a print from any of my collections of landscapes, floral portraits, still lifes and designer prints and view it through your on-board camera projected onto your wall space. You can resize the image of the print until you find that perfect sweet spot that will work for you in your own particular setting.

You can easily select different prints to view. Will a landscape style work or perhaps a square print? Choose prints to view either by clicking directly on their image in the category library or just press the left or right arrow to view the next in line. All the available sizes for each print are quickly and easily seen by you in the pull down menu right at your fingertips.

To exit Augmented Reality is easy and brings you right to the ordering page. You have an array of options in which to choose. What surface do you want for your print? Canvas, fine art paper, aluminum or acrylic? Once you decide the size and treatment you might consider a frame or matting depending on your choice of materials.

Now that your selection is made just click to see your shopping cart and the rest is a breeze. The hardest part will be anticipating the arrival of your very own piece of Art, custom chosen by you for your own special place. Enjoy!

 

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Aluminum Prints of my Original Paintings

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Aluminum Print Display at the Bayard Cutting Arboretum of the art work of Mary Ahern

This was the display of my Aluminum Prints at my show at the Bayard Cutting Arboretum. You can purchase these for your own home and garden here.

I have always dreamed about having my Art displayed outside around my garden and outdoor living spaces. And now the technology has caught up with my dream. I have my original paintings printed under heat & pressure to create these very vibrant aluminum prints. They can have a glossy or matte finish to them and I haven’t any particular preference since I like them all.

Sunflowers and Purple Asters in a Home Entrance. Aluminum prints of original paintings by the artist Mary Ahern

Sunflowers and Purple Asters aluminum print at the entrance to the home of one of my collectors.

The weather-resistant aluminum which I’ve selected for my Art is thick and durable enough to survive and flourish in my garden throughout the 4 seasons and has been doing so since 2014. Because I wanted to make sure that the quality was right and the color lasted I tested many fabricators before offering the metal prints to my collectors. 

Sometimes I frame the pieces in simple aluminum frames but most often I just hang them outside, on the trees, on the fences and on the walls. What a delight to look out of my office and look at art instead of looking at my garage & thinking it needs powerwashing! Even better is looking out in a snow storm and seeing the brilliant color of summer flowers breaking through the white and gray backdrop.

When the birds decide to decorate the art, I just squirt the pieces with some window cleaner and using a paper towel I wipe them clean again. No problem.

The aluminum makes the colors pop whether they’re on a matte or glossy finish. Though these prints can be hung outdoors many of my collectors buy them for inside their homes. Either way, it’s a unique decor addition whether inside or out.

Go now to my website to see how these aluminum prints will look like in your own home and garden using the augmented reality feature on my website shop.

 

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Northport Art in the Park Annual Art Festival Event

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Art in the Park
Art, Music, Poetry and Dance Festival

A July summer event, featuring music, dance, poetry and over 30 artists displaying and selling their original work. Art show begins at 10am and festivities begin at 12pm. Free admission and a fun day for the entire family. Hours are 10am to 5pm.

For Additional information visit the Northport Arts Coalition website

Join us for another exciting event in the picturesque Village of Northport, NY. This multi-disciplinary annual event is held in the Village Park at the foot of main street surrounded by the lush tableau of water, boats, trees, playgrounds and the old time Village feel of another, calmer and genteel era.

Mary Ahern Artist Northport Booth. Art for sale

To see and purchase my art anytime of year please visit my website shop. You won’t be disappointed!

 

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What I Did After Art School

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As I mentioned in a previous post, Professor Louis Finkelstein, the Art Department Chairman abruptly walked out on me at my senior thesis show when I mentioned that I was about to be a single mom declaring it to be impossible that I could also be an Artist. He previously had offered to sponsor me to the notable, Robert Pincus-Witten for a Whitney Museum Graduate Fellowship program but suddenly I was anathema. That event took my breath away for quite some time until I began to gather the pieces of me that felt flayed and strewn to the wind.

So what did I do to salvage my heart and soul? Since 4 years of art school didn’t train me for anything remotely connected with making a living, I knew I needed more education. I also found out that if you worked at a college your tuition was free. So I made a list of colleges I wanted to attend & found a job in the career services office at Barnard College. During my lunch hours, I attended computer programming classes at Columbia School of Engineering. Going from such intense right brain to left brain work was so difficult it often physically hurt.

Barnard at the time was a bastion of feminism and my boss, Martha Green guided me and untold numbers of other women into successful and rewarding careers based upon skills which, I for one did not know I had. She recognized in me untapped horizons and restored my confidence.

1986 Mary Ahern sells the Chyron Chameleon

Mary Ahern demonstrating the Chyron Chameleon electronic paint system 1986 at the Cablevision television studio in Woodbury New York

 

From the support and direction I received from the women surrounding me at Barnard, I launched my career into sales, because that’s where the money was, and computers, because that’s where the future was. I zig-zagged my career in computers over the years to capitalize on my Fine Arts degree by selling computer graphics equipment to the creative departments in the television broadcast and industries. My art helped me sell those systems.

So here I am, still painting, still an Artist, proud of having supported and raised my sons on my own. Now I work every day in my studio surrounded by the gardens I created that inspire my Art.

I kept my eyes and ears open and when one mentor slammed the door another mentor opened it for me so I could charge through. Success is the sweetest revenge. Thank you Martha!

Mary Ahern's studio February 2018

Mary Ahern’s studio. Still painting after all these years!

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Preview Your Art on Location Before You Buy

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Ever wonder what size Art will work in your ideal location? Will the colors of the Art complement your display area?

What treatment do I want for my Art?

  • Canvas that is gallery wrapped or framed?
  • Fine Art Paper with matting and framing?
  • Art on metal or acrylic for a new and contemporary look?

You can test all of these options in my online Art Shop.

Say you found a piece of Art that you’d like to buy but don’t know what size or whether it will work colorwise in your location.

White Peony Squared. Wall art by Mary Ahern

White Peony Squared. Prints available in a variety of sizes on canvas, fine art paper, metal or acrylic.

 

My Art Shop is filled with features which will help you to imagine exactly how your new Art will look in your own space. The ultimate in customizing!

The Wall Preview Button on the page of the Art you selected allows you to:

  • See what your painting will look like on the wall in a variety of room settings.
  • View the size and match your own wall color.

ASF art wall preview. Wall art by Mary AhernTo make a purchase select the Art that makes your heart sing. Then you can:

  • Select the medium of your choice: Canvas, Fine Art Paper, Acrylic or Metal.
  • Next, you select the size of your Art.
  • Based on the medium you’ve chosen you will be able to choose options such as framing or matting.
  • Now you can either add your Art to the Shopping Cart or save it to your Favorites right there in the Shop.

 

Other nifty features:

  • Examine the texture and details of a painting using the ZOOM tool.
  • Email your favorite painting to a friend for their opinion.
  • Your purchase is a safe and secure checkout using PayPal or your credit card.

Who has time to waste trying to figure out new menus?

I like diagrams. Don’t you? Here is a diagram that will show you the many different treatment options available to you for each Art Work in my Shop
ASF art shop instructions

Choose from the hundreds of sizes and treatments of my Flower and Garden Art.
This is the ultimate in customization for you to use when designing for your home or office.

 Now you can visit my Art Shop and try these features on any of the hundreds of sizes and treatment variations available to you for your home or office! Have fun!

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Marketing and Preparation Checklist for Giving a Lecture

My Art Starts In The Garden  

The only way for me to efficiently prepare for any upcoming Lecture or Art Show exhibition is to create a checklist of items I need to complete to make a successful event. These contain Marketing items, preparing to show the Art, inventory items for sale & display and the advance staging & rehearsal.

For my latest upcoming Art Lecture at the Long Island Horticultural Society, I worked from this list if items. I really enjoy drawing lines through each task as I complete it so I can move on to the next.

The list is fluid & with each event I have to make adjustments but this is a fairly good outline to begin with.

Lecture To-Do List

Marketing

  • Update my website
  • Write blog post
  • Write & send Press Release
  • Create poster
  • Email poster
  • Create newsletter
  • Email newsletter
  • Post event to Facebook
  • Post event to Fine Art America
  • Post event to HAC
  • Post event to NAC
  • Print price lists
  • Create & print handouts

Art Work

  • Create Planting Fields paintings
  • Get portraits printed
  • Paint mixed media paintings

Inventory

  • Inventory small prints for sale
  • Inventory matted prints for sale
  • Inventory note cards for sale
  • Collect show-&-tell items

Staging & Rehearsal

  • Update power point presentation
  • Stage easels with lighting
  • Stage & test presentation
From the Garden to the Wall- Lecture by the Artist, Mary Ahern

From the Garden to the Wall- Lecture by the Artist, Mary Ahern

 

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Aspect Ratio in Fine Art Painting

My Art Starts In The Garden

The aspect ratio of a painting is the relationship between the height and width of the finished piece. In painting the most common aspect ratio has been 3:4.

Mixed Media Painting. Dancing Iris Trio. Available in 30x40" and 18x24", standard or Gallery Wrapped.

Dancing Iris Trio. Mixed Media Painting available in 30×40″ and 18×24″, Standard or Gallery Wrapped.

This means that for every 3 inches in the horizontal/vertical, there would be 4 inches in the other direction. An example would be a 30” by 40” painting. By reducing the size but maintaining the same 3:4 aspect ratio relationship you would have an18x24”, 12×16” or a 9×12” painting.

The aspect ratio remains the same regardless of whether an art work is hung in a horizontal or vertical direction.

This 4:3 aspect ratio is visually comfortable for most viewers and replicates the standard television format that was used until recently. With the advent of HD TV, the standards have changed to a longer screen and a 16:9 ratio is now the flat screen TV norm. This changes the shape or aspect ratio of the rectangle that is viewed by most people on a regular basis.

Pansy Field. Mixed Media Painting. Available in 24x26", 20x30" and 16x24" Standard or Gallery Wrapped

Pansy Field. Mixed Media Painting. Available in 24×36″, 20×30″ and 16×24″ Standard or Gallery Wrapped

This change in aspect ratio is also reflected in digital photography and in paintings. This new TV standard has increased the popularity of the longer 2:3 ratio. The new sizes in paintings would represent: 8×12”, 12×18”, 16×24”, 20×30”, 24×36”, 28×42” and 30×45”.

Framers use these standard sizes for many of their ready-made frames which is a cost saving to the Art Collector.

I create all my paintings in standard sizes so custom framing is not necessary

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Preparing Prints For an Art Show

Here is a video which I originally created in July of 2013 of how I prepare prints for display and sale at outdoor art festivals .

I took these video clips in my studio as I prepared for the Northport Art in the Park hosted by the Northport Arts Coalition.

I used a Canon Power Shot SD3500 IS Digital ELPH, holding it in one hand and demonstrating with the other. I used the audio from the camera which is muffled at times since I put my finger over the microphone. I originally started with 18 minutes of video clips and brought it down to about 4:15.

I edited in iMovie with the end credits created in Photoshop.

Fun little project which I wish I’d given myself more time to perfect but there are always choices to be made. Time being the one thing I can’t seem to stretch.

You can see this and other video on my YouTube Channel: youtube.com/user/MaryAhernArtist

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Huntington Arts Council – Auction on Main

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Rose Montage by the Artist, Mary Ahern

Rose Montage has 5 individual digital paintings of Roses. Framed size is 8 x 39.5″

This is the month for the annual silent art auction fundraiser in support of the Huntington Arts Council’s exhibition program at the Main Street Petite Gallery and Art-trium Gallery in Melville.

November 9 – November 30, 2012
9-5PM

Huntington Arts Council Petite Gallery
213 Main St.
Huntington NY 11743

Contact: Florence Dallari, Asst. Dir. 631-271-8423
Huntington Arts Council Website: http://www.huntingtonarts.org

This year I’ve donated my White Rose Montage to this worthy fund-raiser.

I designed this long 8″ x 39″ montage for all the folks who tell me they can’t buy my work since they don’t have anymore wall space. This piece fits nicely between windows or as an accent piece at the edge of a wall. It has 5 individual digital paintings of roses for all those rosarian collectors out there.

The holidays are coming and you can do two nice things for the price of one. Bid on this piece to help support the Huntington Arts Council and then give it as a gift to one of your special friends.

It will last longer than a bouquet of flowers.

 

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Some Steps When Curating & Designing an Art Show

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Curating an Art Show takes many steps and stages. The process begins with the organization sponsoring the event. They are responsible for setting the dates and timetables of the show, the selection of Artists and in this case, establishing and maintaining a cooperative working relationship with the owners of the hosting venue.

The organization that is sponsoring the Art Show decides if they are hosting a One-Person Art Show or a Group Exhibit and where the venue will be held. This information is included in their prospectus.

For the Art Show I’m having from August 28 through October 9th, 2012, I downloaded the prospectus from the Northport Arts Coalition (aka NAC) website here. Most organizations now offer their applications & information online.

In this case, I applied for a One-Person Show to be held over a 6-7 week period at the Wine Cellar on Main in downtown Northport NY. I was notified of my acceptance and given about a one-month lead time to prepare for the showing.

Normally the lead time for an opportunity for a large show like this is quite a bit longer but I was pleased with the opportunity to show my work so I quickly accepted their offer.

A view of my studio while staging for the Art Show

Depending on the organization the curating of the actual show is done either by a designated person within that group or the individual Artists whom they’ve selected for a show.

Since I have decades of experience managing and curating my own and other events I have a particular method of working. In another post, I discussed how I started planning & curating my show. Curating in the sense I wrote about is the decision making process of how the show will look and what work I have available to show.

I usually have various paintings of mine in multiple group shows over a wide variety of time slots & locations so I keep comprehensive records of where my Art Work is allocated at any given time & where the work is scheduled to be shown.

I also know what work is in the process of being created & when the work will be available for the next showing.

Curating is many things. These include finding the venues, selecting the Artists, designing the show itself and creating and executing the marketing campaign.

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Strategies for Planning & Curating my Own Art Show

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So I applied and was accepted for a one-person Fine Art Show at the new Wine Cellar on Main in Northport NY from August 28 through October 8th, 2012. The acceptance email was the fun part & then the stress factor hit me within moments.

Yikes. I’m a curator now.

What paintings would I show? How many pieces of Art? What size paintings would look right. How would I stage the show hanging? And since it was such short notice, (one-month) how quickly could I pull this whole show together efficiently & still enjoy life?

Here’s what I did.

Site survey of the Wine Cellar on Main with my friend Greg Oleanik’s show in place.

Side wall of Greg Oleanik’s show at the Wine Cellar on Main

I took my point & shoot camera, pencil, paper & a sturdy metal measuring tape & scouted out the available show space. Luckily, my friend Greg Oleanik currently had a show hanging there so I was able to take snapshots of all his work hanging in place.

Mock-up of what size paintings I will need for my upcoming Art Show

Side wall mock-up for my Art Show planning

I measured the height & widths of all the available spaces within the room, keeping them sequentially numbered along with photos of each space.  I spoke with the proprietor, Lindsay Ostrander & we discussed the fact that she had installed a hanging system with rails & rods so that I wouldn’t need to put nails in her walls. This info I took back to my studio & headed for the computer.

I imported the photos into Photoshop. I created a panorama of the interior hanging space with photos of Greg’s show. Then I made a mock-up of the walls & created placeholders for the different sizes of my own Artwork since I know what sizes of Art I generally work in.

With this in place I was able to count how many and what sizes of paintings I would need to have available to put into the Art Show.

I felt calmer already. Next step was planning on how much creating was ahead of me & what I could possibly hope to accomplish in such a short span of time while also leaving me time to publicize the show. I wanted to make sure I left enough time to share the news about the show with family, friends, and with all my past, present & future customers.

 

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Friends of the Delaware Canal Sporting their Mary Ahern Yellow Daffodil T-shirts

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These are the creative and committed women aka “Commuting Women” who took part in the Delaware Canal Festival winning the “Most Beautiful” decorated canoe prize. These women took part in planting thousands of daffodil bulbs along the canal & other prominent locations this past spring.

I was pleased to donate my “Single Daffodil” artwork for use on their team T-Shirts. I applaud their energy, their commitment to the beautification of their community & their sense of humor. Kudos!

Mary Ahern the Artist helping out the Friends of the Delaware by donating her Single Yellow Daffodil image for their T-shirts

Friends of the Delaware Canal sporting their Yellow Daffodil shirts celebrating their planting of thousands of daffodil bulbs along the canal & other prominent Yardley locations.

This is a copy of a letter they sent when they donated their prize money winnings to The Friends of the Delaware Canal.

Friends of the Delaware Canal

The Locktender’s House

145 South Main St.

New Hope PA 18938

Dear Friends,

Enclosed is a check for $75.00 payable to the Friends of the Delaware Canal, representing the prize money the “Commuting Women” won for our “Most Beautiful” decorated canoe in the Yardley Boat Parade as part of the Delaware Canal Festival.

Friends of the Delaware Canal award winning entry in the Yardley Boat Parade

The award by the “Commuting Women” for “Most Beautiful” decorated canoe in the Yardley Boat Parade as part of the Delaware Canal Festival.

Our theme was “Thank You Bucks Beautiful,” celebrating and thanking the Bucks Beautiful organization for planting thousand of daffodil bulbs along the canal and in other prominent Yardley locations. When the daffodils all bloomed this spring, it was a spectacular sight!

Our group is comprised of “mature” women who commute to work in Philadelphia, either currently or in the past, on SEPTA Regional Rail trains. We had lots of fun planning and constructing our boat parade entry, and we are proud of our ingenuity and resourcefulness – using only items we already had on hand around the house. Lots of paper plates, muffin cups, skewers, and plastic tablecloths – as one young observer commented, “That’s a lot of arts and crafts.”

Along the way we made a new friend, Mary Ahern, from Northport NY who generously donated her daffodil art design to our matching parade-day T-shirts.

All in all, a fun and rewarding experience. Thanks for a great day – this is why we chose to live in the small towns along the Delaware Canal. We are happy to donate our prize winnings to the Friends of the Delaware Canal.

Sincerely,

Leslie Jordan

Virginia Hamby, Yardley

Dorothy Judd, Washington Crossing

Jeannette Leighton, Yardley

Mary Ahern the Artist's "Single Yellow Daffodil"

Mary Ahern’s “Single Yellow Daffodil which was used as the image for the Friends of the Delaware Canal T-shirts.

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