Tag Archives: My Garden

Awakenings in the Garden: An Artist’s Journey

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My garden has been the inspiration behind my art for decades but formally studying horticulture introduced me to an entirely new understanding of the garden. Studying the science behind this living environment at my doorstep, was and continues to be a source of endless investigation. Not just in the beauty a garden can project, but in the sustainability, the interaction, and reliability of the vast array of life forms involved in creating a mutually dependent whole. Because of this deep study of my garden, my art has changed. As I’ve grown in an awareness of the complexity of the garden that I’ve designed and tended for over 35 years, my art has changed too by becoming more expressive, less realistic, and more multilayered.

I first became aware of how I was being transformed, not just by having more technical knowledge through my studies in horticulture when one day, standing in my garden, my clothes and hands covered in dirt, scratched and bug bitten, a wave of quiet contentment entered my very being. Yes, I was exhausted, and my body was aching from the hours of hard physical labor, but something different was flowing through my mind. It was a sense of awakening. I felt it but I was not able to articulate clearly what I felt. I still don’t have the words completely to express this transformation. So, I have been trying to do so through my art.

Mary in Her Studio Working on Phaelanopsis Orchid (December 2020)

Working in my studio on the Phaelanopsis Orchid (December 2020)

Spending years since then of work both in my mind and physically, I have dug deeper into the metaphor the garden has represented to me about all living beings. It has taught me that in order to survive, the building of communities is needed to create a harmonic, healthy balance. The garden speaks to me of survival. I watch hummingbirds, with their long beaks, attracted to the long tubular flowers of the Salvias. I smell the late day fragrance of the Brugmansia as it seduces night pollinators less exhausted from a day’s work to help the lifecycle. Each insect, each flower, each fungus is only trying to survive for another season, another year, another generation. We as humans, like the complexities found in the garden are also trying to survive and hopefully prosper.

In my studio, my large, centrally focused flower paintings have been inspired by the imagery I saw through the microscopes used during my scientific studies in horticulture. The bold colors and large sized paintings were my way of grabbing the attention of the viewer just as the stunning presentation of a bold peony blossom calls out for attention.

Phaelanopsis Orchid (A Work in Progress,

Phaelanopsis Orchid (A Work in Progress, December 2020)
© Mary Ahern

Over time the education I am receiving from the garden has been changing me. My artwork Is reflecting my deepening thoughts, abstract concepts, and my openness to explore new ideas and deeper theories of the world surrounding us.

During Covid, another revelation presented itself to me. I began to look at the imagery posted online by NASA showing us the galaxy of which we are but a small part. I realized that the entire universe also depended upon that harmony and balance all of us, the garden included, must have in order to exist. This awareness of the delicacy of both the microcosm and the macrocosm of our worlds is what I am now trying to express in my artwork. Blending abstractions inspired by the cosmos transparently through the realistic flowers grown in my garden informs the current work in my studio.

The awareness of the multi-layered reliance on other forces to help in survival is humbling. This new awareness has deepened my gratitude. This is what I am now attempting to create in my studio.

Cosmic Phaelanopsis​ on Oil ~ 24 x 24 inches. Deep Cradled Hardboard

Cosmic Phaelanopsis​
Oil ~ 24 x 24 inches. Deep Cradled Hardboard.  Available on the website here.
© Mary Ahern

Note: “Cosmic Phaelanopsis” is the final work after I put the piece aside  for two years due to being dissatisfied with its direction. The final “Cosmic Phaelanopsis” is an example of the new direction my work has taken.
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Partial Artist Statement:
This artwork sparks a vital conversation reflecting the interconnectedness and balance within the microcosm of my garden and the macrocosm of the cosmos. My work draws inspiration from the life cycle of flowers to explore existential questions about existence, purpose, fragility, and interconnectedness.

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My Dual Passions – Art and Gardening

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At the age of 14, I was alone and lying in the summer grass on a hill in Brooklyn, New York, staring upward through the leaves at the passing clouds while trying to understand why a person I loved dearly had suddenly died. Without an anchor or language to explain the passage, I was at a profound loss and searching for an answer, an explanation. I clearly remember feeling the warm energy from the ground swell up and pass through my body and like a mist, mingle into the leaves and up into the clouds in that deeply blue sky.

At that moment, I recognized that I, as a person, was another aspect of nature, joined with the wind, the air, the plants, the trees, and all life teeming around me – just another form of energy. This gift has been with me throughout my life and is what I gather in my garden and express in my art.

1985 - Mary Ahern in the Cablevision studio working with the Chameleon electronic paint system.

1985 – Mary Ahern in the Cablevision studio working with the Chameleon electronic paint system.

Mary-painting-the white iris in her studio

Painting in my studio. The white iris blooms in my garden each spring. I glaze with thin washes using a fan brush and thinned paints.

My Zig-Zag Journey
Like most of us, our life journey takes many paths. For me, my twists and turns led me to a career that blended my fine arts training with my technical background. As a single parent with two hungry sons, I found a way to keep one foot in the arts by selling computer graphics equipment into the broadcast television industry. Creating graphics and fine art using the computer as my medium enabled me to have the financial stability I needed to live the life I envisioned for myself and my family.

Learning is a lifetime passion for me. Within the classroom, I have formal degrees and certifications in fine art, horticulture, botanical illustration, logic and computer programming. To this day, I continue to take online and offline workshops in marketing, writing, and various artistic mediums and genres.

Throughout my work career, I always maintained my studio art practice since it is the root of all that I do and who I am as a human being. At the present time, I have the good fortune of continuing to work independently without needing clients, creating my artwork, showing it extensively in exhibitions, and lecturing on art.

Woodland Garden entrance.

Entrance to my woodland garden. Throughout my garden there are round things to be walked through, around and over.

I am not just an artist. I am a horticulturist on a mission to transform my surroundings. I created an artistic landscape around my home as a place to immerse myself – not simply a garden to be admired while sitting on the deck. Initially, I did not have a specific plan. Instead, I let the woodland speak to me. These woodland paths have gifted me with decades of intimate and satisfying connections with nature. I immerse myself in the changing light, the turning of the seasons, the gifts of growth, and the sadness of loss as the garden goes through its life cycles. This connection with nature has inspired my mind and my art for decades.

Creating my garden has many components, as does creating my art on canvas in my studio. The mediums change, but the design concepts are consistent. Through the creation of my garden and my paintings, I take into consideration traditional artistic issues such as focal points, perspective, repetition, rhythm, texture and scale. In designing my garden, however, which I consider a three-dimensional assemblage of objects, I also add the variables of time, season, vulnerability, happenstance and science to the creative process.

I have been designing and working in the woodland garden over the course of 30 years. It’s a place of journey and meditation. I’ve been collecting round things most of my life. They feature heavily in much of my art and garden designs.

Click here to see more of my oil paintings 

 

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Living and Painting in Layers

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Last week we had temperatures in the 30’s every day. The clocks changed and now it’s dark by 4:30 where I live. That may sound pretty grim but for me, it signals the opportunity to go into my studio to paint without the tugging and nagging feeling that I should be out in the garden, planting, weeding, pruning, and planning. Now, guilt-free I’m in my studio creating the paintings of the flowers from summer.

And guess what? Yesterday, today and for the next few days, the temperatures have returned to the 70’s. So the sunshine has seduced me back into the garden. Finally today I finished planting the 100 plus bulbs I bought on some wild spending spree a few weeks ago. The daffodils, the oriental, martagon lilies are in. The bearded iris have been planted in the little nooks and crannies where there is some sunshine. And all the five different kinds of alliums are finally in the ground.

Alliums, you may or may not know are onions, these are ornamental onions. Not the kind I cooked dinner with tonight. I made a new recipe with spanish onions, turkey sausages, grapes, cumin, vinegar, roasted potatoes, and some of the meager crop of tomatoes I grew from seed this year.

As I cut up the onions I thought about all their layer upon layers. Which led me to think about my paintings. I paint in layers. Layer upon layer of thin transparent paint. As the painting comes into existence it reminds me of my darkroom days and watching the photograph begin to arrive in the chemical baths. I tend to work all over the surface so the entire painting emerges pretty much at the same time.

My paintings are very much like me. Like you. Like everyone. We’re all layers upon layers of information, experience, emotion, and intellect. Interest and drive are hidden in there too. Hopes and dreams also come to mind. Many people don’t like to look below the first layer of who they are. I, on the other hand, dug deep into the bone marrow to find the core of what makes me tick. Then I covered it up so the rest of the world wouldn’t find it easily. Keeping that core wrapped in swaddling clothes held closely, is one of the mysteries I keep safe and protected from the seasons of change.

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My Seasonal Studio

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Throughout the year I spend time immersed in my garden in the warm summer sunshine and the deep winter snow. The myriad of colored petals, the exquisite architecture of a flower’s anatomy, the subtle shifts of green inspire me throughout the seasons.

Mary Ahern in the Camellia Garden

Here’s me in my spring garden with the camellias in bloom that inspired the original painting that is behind me in an aluminum print. The aluminum hangs outdoors all year long whether the camellias are in bloom or not. You can buy them on my website here.

There are seasons I’m with my flowers in the garden and seasons where they enter my studio as inspirations for my paintings and drawings. Each art form is dependent on the other to continue my seasonal shifts of creation.

All winter I paint flowers. The bright happy flowers of my summer garden follow me into my studio and surround me with their joy and inspiration during the short dark days of winter. In my studio, they help me to wind down the hectic whirlwind of gardening in the bright sunshine.

But each year the same joy of being in my studio creating my Art begins to take a turn into claustrophobia when the daffodils spring forth with their joyous yellow heads as they entice me outdoors. It’s the beginning of the push and pull for me to be in my studio or to be in my garden. Both are my creative forces. Both get my creative juices flowing. Without either the other would be that much the poorer.

The balancing of time subsides somewhat in the mid-summer when the heat and humidity drive me back to the cooler breezes in my air-conditioned studio. Another burst of art flows from inside the walls during those hot weeks of August. When the humidity subsides the gardening resumes.

Inevitably when the nights begin to provide good sleeping weather, the transition from new expectations of growth in the garden turns instead to senescence and the decisions of what to preserve commences. Choices of what to overwinter, what must be sacrificed take precedence. Mulching, raking, clearing debris marks the bedding down of my outside work.

Then comes the time in the fall when the garden is put to sleep that the joyful season of painting and drawing begins again within the walls of my studio as I create my winter garden of work surrounded by my summer flowers.

Work in Progress in the Winter Studio

Visit my website to see what appeared in my winter garden!

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And Then I Stuck My Hand Into The Wood Chipper

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I‘m that kind of gardener. The one who opens the windows to inhale the smell of the soil in the morning mist. A day isn’t complete unless I’ve walked the woodland paths, seen the changes however small, what has begun, what has passed its peak of perfection. Which plants are inviting their cohort of pollinators, the array of the birds and the bees? This is the half-acre of land I’ve designed, planted and tended for over 30 years. The soil is rich in abundance, helped by the leaves I shred each year.

The garden constantly evolves with each season and each year as do I. Fall is when I gather the leaves and branches to shred and place back into the garden to keep the beds warm and covered from the winter winds. There is a rhythm to the garden as there is a rhythm to life.

For years I’ve had this chipper, its large, heavy and gunmetal gray. When the machine roars into life in its loud and vicious voice you know it means business. I use this to make my own mulch. Gather my garden debris to enrich the soil and feed it into the maw of this machine. Chip my own branches for the pathways I walk and contemplate.

Once you put the cord to start the engine it drowns out the sounds of life around you. There is an urgency to feed the beast. I have my piles of leaves at hand to be shredded to shorten the duration of this violent machine and return again to the quiet contemplative space I crave. This is the stage to move fast to silence the din.

And then the blades jammed. The engine pushed and growled. The whole machine quivered trying to dislodge the offending object. The squeal of the engine roaring deafened me demanding a quick solution. I felt my heartbeat quicken. A frustration and impatience entered my being. A demand for a quick remedy.

So I removed the chute which served as the feeder to the blades. There I could see the chunk of wood jamming the metal and in my mindless haste I reached in with my hand to unblock the shredder.

The searing pain was beyond description. More than I’d ever experienced in my entire life. Beyond childbirth, beyond car accidents. Beyond anything my mind could process. And I was alone. No one to call out for. No one could hear me. I just let my arm hang limply by my side. And I refused to look down. Not prepared yet to see what I was left with from what I knew was a defining event of my life.

Woodland Trees and SkyI leaned forward against the railing of my deck, my mind emptied of rational thought. No plan of action arrived. My logical brain inactive, devoid of anything other than the pain. It gripped me. Wrapped me wholly. I was enveloped with pain. Just the thumping, throbbing, pounding of pain.

Then I looked up. The trees were swaying gently with the wind in their long and pensive manner. The leaves, dressed in their fall colors. were wiggling and waving at me beckoning my attention. Beyond was a brilliant blue sky, the most beautiful blue I’d seen in my entire life and I’d seen many. The breeze caressed me. It was a moment of indelible beauty. My world came to a halt. My garden surrounded me with healing calmness. Caressed me with its fragrance, its life. I was bodyless.

Now I understand more of why I garden. It’s not for me to show my friends my great expertise. To flaunt the rare specimens I collect. To boast in my selection of flowers for color balance and seasonal flair that I am able to coax into being. My garden is not an ego trip.

This garden is threaded through with paths, to walk through, to discover, to immerse yourself. The journey around my garden is for enlightenment. The senses heightened by the wisp of nuance seen from the side of one’s eye. It’s in a subtle awareness of the healing that we gather from the earth. The wonder of how interwoven we are with the natural world surrounding us. The fact that we are just another component of an incomprehensible network of living beings. It is humbling.

And if we listen, the garden also teaches us to ponder, to meditate, to slow our heartbeat down to absorb life. It teaches us to travel inside our soul to seek our essence. Gardens are about optimism too. The grand possibilities of our future. What profound truths will reveal themselves? What miracle will the world visit upon us graciously?

Oh, by the way, I forgot to mention, my fingers were not shredded that day.

Graphite Drawing of Gourds in my Studio

Graphite Drawing of three gourds is one of the many artworks I have been very lucky to be able to continue creating.
You can see more drawings on my website, click here.

 

 

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Why I Paint. Why I Write. The Garden Tells Me To.

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Long ago in the way back machine, I grew some sunflowers for my young sons. You know which ones, they’re the 8-foot tall ones that excite every kid. So on the day the flower was pitch-perfect, I pulled out my pastels and tried to capture its roundness, its color. And then it was time to light the barbecue and make dinner for the boys so I put away my pastels and paper while planning to finish the work the next day.

We enjoyed our burgers outside in the garden under the towering sunflowers that evening sitting at the picnic table with the soft summer breezes and called it a day. The next morning when I gathered my chalks and half worked drawing to complete the art don’t I discover that a squirrel had beaten me to the day’s work. The center seeds were chomped and mangled. This was my clarion call to the ephemeral.

I learned that day the garden doesn’t wait. The passing of time can be in a split minute. A flower has another calling and it’s not willing to wait for me until I’m ready. It, like me, has a busy life with other goals.

First Sunflower Pastel Art by the artist, Mary Ahern

These are some of my earliest paintings hanging on the wall in my studio. The Sunflower pastel is a reminder of the ephemeral garden.

So I committed myself to capture the transient moments in my garden. The inspirations in form and color. The visions and details that escape us as we hurry through and around in our busy lives. The moments that don’t wait for us.

And then I realized that my garden not only shows me its secrets, it also tells me its mysteries. It whispers ideas into my head. But those ideas are also fleeting. They come to me but fly away on the breezes too quickly for me to grab. So I’ve begun writing. Each time the garden sends a story I write a note of it down. I capture it on my keyboard or quickly with a pencil. At times I even have to catch it so quickly when I’m immersed in the midst of my garden that I can’t run indoors quickly enough before I lose it so I speak it softly into my phone. I’m building a library of stories the garden is generously sharing with me. This is one of them.

 

Sunflowers With Purple Asters-Artwork by the artist, Mary Ahern

Sunflowers With Purple Asters. Prints of this artwork are available in various sizes on canvas, fine art paper, acrylic and metal in my online Art Shop.

 

 

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I Collect Round Things

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Since the 1970’s I’ve been a collector, an observer and a thinker about round things. Currently, my garden is enhanced by round thing presences. Spheres of all colors and sizes. Sculpture with round themes. Round trellises. Round gateways.

Woodland Entrance

This moon gate entry to my woodland walkways is just one of the pieces throughout my garden which inspires my art.
These themes of roundness have threaded throughout my work for decades. Recent Work

On my deck are round finials on the tops of the banisters. And large round concrete containers spewing forth their colorful floral additions all summer.

I have reflective spheres so as you walk around the circular pathways in my garden you see yourself in a distorted and accentuated way. It’s good to see yourself when you least expect it. Then your mind views you more clearly. It sees how others may see you.

Why round things you ask? They are the feminine. The woman. The beginning. The Eve.

They are the mystery. No beginning and no end. The continuum.

Eve’s apple is the first sphere. It represents to me the essence of woman, the feeding, the nurturing, the sexuality, the sensuousness, the rounded birth belly.

With the apple Eve burst forth from the confinement of the “Garden of Eden”. The place made for her. To protect her but also to isolate her from life. The experiences. The experimentation. The adventure.

She broke free by pushing the boundaries. By saying that the world created for her was not enough. She found her way to burst forth and experience life. The sadness, the pain, the anguish, the tears, the disappointments, dashed dreams, hopes denied, the loss of loved ones, the curse of immortality.

Without which true happiness, peace and contentment could not be embraced.

My art is embedded with these meditations on life.

Omni Gallery Show with Visitor with the paintings of the artist, Mary Ahern

The OMNI Gallery show featured my round flower inspired oil paintings. This work is embedded with meditations.

 

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ChromaLuxe Spotlight Artist, Mary Ahern

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ChromaLuxe Spotlight Customer Mary Ahern

Click here to download the brochure.

ChromaLuxe is the leader in aluminum for a variety of industries. The thick gauge of aluminum and the brilliance of their color matching makes for a perfect vehicle for my flower and garden prints.

I tested many brands from various vendors and ChromaLuxe proved to offer the superior product for my work. Prints of my original paintings have been hanging in my garden for over 5 years now. They have withstood winter snow and summer heat. I wouldn’t sell something I didn’t trust.

As an appreciation for my testing and our collaboration ChromaLuxe created and distributed a full-color brochure of my Artwork on their exterior grade aluminum.

To purchase the aluminum prints of my original paintings please visit the Metal Prints section of my Art Shop.

You can even take your mobile device outside into your garden to use the Live Preview/Augmented Reality feature to see what my artwork will like in your garden. Have fun!

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ChromaLuxe Customer Spotlight, Mary Ahern Artist. Page 1.

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ChromaLuxe Customer Spotlight, Mary Ahern Artist. Page 2.

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ChromaLuxe Customer Spotlight, Mary Ahern Artist. Page 3.

 

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Slide Slam-Patchogue Arts Council Presentation by Mary Ahern

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Recently I had the honor to present my art and the meaning behind my thought process at Slide Slam. This event was sponsored by the Patchogue Arts Council and hosted by the Haven Gallery in Northport NY.

The presentation by the 20 selected Long Island artists was to display a slideshow of 15 images and speak for exactly 5 minutes each about the work. Such a daunting task proved to be an interesting challenge. How do you get to the essence of your work succinctly in such a short span of time?

With plenty of planning!

After the event, I created a video of my Slide Slam talk which you can see here.

Important for me was to convey how critical the garden is to my work. It is in fact the beginning of my creative workflow. In the garden I feel the power of the interconnectedness of all that surrounds me; the necessary ecological balance of the earth, climate, water and nutrients, that sustain the cycle of life.

The communities of birds, bees, insects and yes, humans to pollinate flowers with the assistance of the wind of course. This cooperation is the main critical component of maintaining not just my garden but our entire life here on earth as we know it. Without fertilization the cycle of life would die for all living things, not just for the loss of our beautiful garden flowers but for all our food sources as well.

To me, the garden is just a microcosm of the universe.

The vast beauty of color, fragrance and the architecture of each plant is created to seduce assistance in procreation. Each flower has evolved its own method for attracting exactly the pollinator they desire. Long tubes for hummingbirds, open centers for nice fat bumble bees. Certain colors are more visible to different insects than others. Fragrance signals an invitation to specific species that the time is right for fertilization. The Brugmansia is most fragrant in the late afternoon since it would rather have an energetic pollinator just arriving on their evening shift than a tired one at the end of it’s working day.

Working in and studying my own garden for the last 30 years has given me the unique opportunity to watch dynamic change occur. When my oak trees fell in Hurricane Sandy suddenly the types of plants that enjoyed their shade began to suffer from too much sun. I dug them up and moved them and their scorched leaves to where they would be more comfortable and replaced them with flowers that thrive in the drenching sun. Over time this would have happened naturally but I was able to speed up the process.

Each day in my garden I’m inspired by the energy of life. I carry this with me right into my studio where I allow that energy to inform my art.

 

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Enjoy Metal Weather Resistant Aluminum Art Outdoors Year Round

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Tired of the browns and grays and whites of winter? So am I!

I’m looking to get a jump on some brilliant color outside. I want to see color outside my windows, outside in my garden and outside on my deck. I’ll bet you are too.

Bright splashes of color greet me when the trees are bare and the shrubs covered with white snow. It is so cheery to see in the dead of winter. Seeing color reduces my stress. It probably does for you too. That’s why gardens are so relaxing.

ChromaLuxe exterior grade aluminum metal prints hanging in the garden all winter in the snow. Mary Ahern Artist

ChromaLuxe exterior aluminum prints hang outside in my garden all year long popping color when I most need it.

During the spring and summer, I coordinate the color of my plantings with the colors in my art. It gives me a very creative palette of colors to work with. It adds to the fun of gardening.

I hang my aluminum art on the garage so I can see flowers all year from the windows in my home, I hang the art on my deck where we entertain and select art that color coordinates with my outdoor furniture. As a garden designer, I’ve designed woodland walks around my home and studio and even hang art on the trees for when people wander around on my garden tours.

I tried a lot of products outdoors in my own garden on Long Island in New York where we get snow and ice in the winter and lots of heat in the summer. I found that not all aluminum is created equal since much of it warped in the extreme temperatures. Then I tried the ChromaLuxe brand of exterior grade aluminum. I’ve tested these prints throughout all the seasons and they have flourished in my garden for years.

In my video, you can see some of the ways I’ve displayed my art in the garden and also the gardens of some of my happy customers. Take a look and be inspired.

Click here for the video.

Then have some fun. On my website I’ve introduced a separate category for the indoor/outdoor metal aluminum art with an augmented reality feature. Now you walk around your space with your mobile device and see how my art will look in your own setting. You can also try different sizes to see what will fit perfectly for you.

Seeing this live takes the stress out of deciding what artworks for you. It is the ultimate in customizing your own living spaces both indoor or out. Try it now. No commitment to purchase is needed to see for yourself. Go to my online shop, click on the metal print category, select an image that intrigues you, change the size, try a different print, try a different space. Enjoy yourself now!

Go to the Metal Print Shop section in my Art Shop and try the Augmented Reality for yourself in your own home or garden!

 

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Aluminum Prints of my Original Paintings

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Aluminum Print Display at the Bayard Cutting Arboretum of the art work of Mary Ahern

This was the display of my Aluminum Prints at my show at the Bayard Cutting Arboretum. You can purchase these for your own home and garden here.

I have always dreamed about having my Art displayed outside around my garden and outdoor living spaces. And now the technology has caught up with my dream. I have my original paintings printed under heat & pressure to create these very vibrant aluminum prints. They can have a glossy or matte finish to them and I haven’t any particular preference since I like them all.

Sunflowers and Purple Asters in a Home Entrance. Aluminum prints of original paintings by the artist Mary Ahern

Sunflowers and Purple Asters aluminum print at the entrance to the home of one of my collectors.

The weather-resistant aluminum which I’ve selected for my Art is thick and durable enough to survive and flourish in my garden throughout the 4 seasons and has been doing so since 2014. Because I wanted to make sure that the quality was right and the color lasted I tested many fabricators before offering the metal prints to my collectors. 

Sometimes I frame the pieces in simple aluminum frames but most often I just hang them outside, on the trees, on the fences and on the walls. What a delight to look out of my office and look at art instead of looking at my garage & thinking it needs powerwashing! Even better is looking out in a snow storm and seeing the brilliant color of summer flowers breaking through the white and gray backdrop.

When the birds decide to decorate the art, I just squirt the pieces with some window cleaner and using a paper towel I wipe them clean again. No problem.

The aluminum makes the colors pop whether they’re on a matte or glossy finish. Though these prints can be hung outdoors many of my collectors buy them for inside their homes. Either way, it’s a unique decor addition whether inside or out.

Go now to my website to see how these aluminum prints will look like in your own home and garden using the augmented reality feature on my website shop.

 

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Not Just Another Flower Painting

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My Painting Studio. Mary Ahern Artist.

Paintings in progress in my studio. Visit my Art Shop.

The flowers I create in my studio with brush and canvas speak to me beyond their intricacy of form, color, ruffles and swirls. LIke everyone else they initially attract me with the way the color changes as the light graces their outer curves and when it delicately enters their inner recesses, their intimacy. The edges of petals dance like ballerina skirts bouncing in the breeze. Their edges are fluted, scalloped, curved and splayed defining their differences and embracing their similarities of purpose.

I love the architecture of flowers, not just how they grow on their stems, their height, their leaves and their unique outward appearance. I concentrate on the inner architecture of their center parts, the configurations of their pistils and stamens, their anthers laden with pollen. Quite frankly, these flowers are built to seduce their pollinators. The birds and the bees but also the billions of bugs who help by rolling in their pollen to feast and to share and to help create the next generation to grace the earth.

Flowers speak to me of our universe. Our purpose. Our endurance. Each flower is an individual with its own color, shape and form. It’s own choices of community, culture and companionship. It’s own needs for climate, food and water for sustenance. But we all share our need to survive, another season, another year, another generation.

Whether I am among the flowers in my garden or the flowers in my studio, I embrace our diversity and our commonalities. All these flowers in soil or on canvas speak beyond themselves, they’re ideas and thoughts beyond just the visual. They speak to the interior of our purpose and our minds. They are us.

My Garden with rhododendrons and hyacinths

A spring view in my garden makes my heart sing. Visit my Art Shop.

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My Garden. My Muse.

My muse, is my garden. Other gardens as well, but my garden in particular. I move in it, feel it, and hear the breezes whisper through it. I watch the lighting during the day as it slides over and around the textured surfaces.

Fire Flame Peony Fine Art Painting by the Artist, Mary Ahern

These Fire Flame Peonies bloom in my garden each year in May at the same time as the color matching azalea.

Lighting so different on days with sun and with clouds. Lighting in the spring with the bright yellow greens of optimistic new growth and lighting by the fall with ambers & tans of a lived life. Morning light offers tender ambiance while afternoon colors not only light the scene from a different direction, the colors are deeper and warmer.

My garden brings consciousness and meaning to me. It keeps me grounded. The ephemeral beauty of an unfertilized blossom studied up close with magnifiers and macro lenses is a representation of a miracle. The world of possibility. The beginning of a story I represent in my Art. I walk through my garden gathering ideas. Stories I want to tell. Suggested ideas I want to convey.

In my garden I spend time designing the landscape or I spend time closely and intimately with a singular specimen at a particular stage of growth. In my studio I may paint a vignette or a full landscape view of a part of the garden I’ve designed, or I may choose to paint a small portion of one flower that has moved me. The minute miracle. This is my work. Outdoors and indoors. These are the stories I tell. This is my Art.

Fire Flame Peony

These Fire Flame Peonies bloom in my garden each year in May at the same time as the color matching azalea.This and other pieces of my Art can be purchased in various sizes on canvas, fine art paper, metal and acrylic in my online Art Shop.

 

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Frans Hals Daylilies With Rudbeckia

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In my late summer garden this dramatic combination of colors occurs when the daylillies bloom amongst the rudbeckia. The cultivar name is Frans Hals daylily so how could I not fall in love with it given my Dutch heritage. The rudbeckia is the classic variety named Rudbeckia fulgida and multiplies happily in this garden setting.

I composed this painting in a classical pyramidal style for the daylilies then using the receding rudbeckia to open the space towards the background of trees and shrubs serving as a horizontal and vertical balance.

Frans Hals Daylilies with Rudbeckia

Frans Hals Daylilies with Rudbeckia 24×36″ Mixed Media on Canvas.

Contact the Artist, Mary Ahern for questions regarding the availability of this painting.

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Light Blue Iris in the Garden – Painting Inspiration

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My paintings actually start in my garden. This is where I grow the flowers, shrubs and trees, which are a part of the workflow of my creative output. The sun and shade play a role in all my compositions.

I actually consider the creative work to be seamless whether at work in the garden or at work in my studios. The up close and personal view of the flowers when I’m weeding, deadheading, trimming and tending allow me the time to become intimately aware of each flower’s details. This is something I like to convey in my work.

Mary Ahern Artist. Light Blue Iris Germanica

Light Blue Iris Germanica

These light blue irises came to dance in the breezes in the front garden, which I can see through the French doors in my living room. Though short lived, their ephemeral character is part of the fun of capturing them in my Art.

Mary Ahern Artist. Phlox stolonifera, 'Sherwood Purple' and Karume azalea in the woodland walks.

Phlox stolonifera, ‘Sherwood Purple’ in front of a Karume azalea in the woodland walks.

The composition of this painting was created using elements from different areas of my garden. The woodland walks with their large hemlock trunks for the vertical accents, which mimic the verticals of the irises. The rare spots of sunshine in the front garden, which hold the irises and many other perennial sun lovers, give me many sources of inspiration during the seasons.

Light Blue Iris in the Garden. Mixed Media Painting. 30x40" Gallery Wrapped. © Mary Ahern.

Light Blue Iris in the Garden. Mixed Media Painting. 30×40″ Gallery Wrapped. © Mary Ahern.

The finished painting is called “Light Blue Iris in the Garden”. I’m not very original on names but it is an apt description.

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Huntington Arts Council Spotlight Artist of the Month – Mary Ahern

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Another Type of Canvas

Mary Ahern is an artist member of the Huntington Arts Council. Much of her art is inspired by her garden, a piece of art in its own right that is constantly changing. Her husband, Dave, often comments that her plants seem to be on wheels since Mary is constantly moving her plants from flowerbed to flowerbed. She uses the texture and color of the plants to create beautiful works of art in her garden.

The peonies bloom in June
In Northport NY the peonies bloom in June

Walking through Mary’s garden and listening to her speak about it reveals how much thought was put behind each and every placement. Mary uses her plants to create artwork just as she uses oil paint. Each plant has specific colors or textures that can be used to compliment or contrast the other plants it is put with. Certain beds of flowers are based on the color of those certain plants, i.e., mixing deep reds with frosted greens. Others are based on the texture of the plant, i.e. small leaves, low ground covering, etc.

However it doesn’t stop there. Each of these flowerbeds is incorporated into the garden as a whole and even the pathways that flow between each have been carefully laid out. The flowers that Ahern cultivates influence her artwork greatly. She likes to have samples of the subjects she is working on around her. “I’m not trying to duplicate what a camera can do. I’m interpreting in a realistic style how I see the subject.”

The Krinkled White is a single peony prized for its simplicity
The Krinkled White is a single peony prized for its simplicity

When you step into Mary’s home and studio, it is as though the garden is continuing inside as well. Her art work adorns the walls and upstairs in the studio her love for the garden is transformed into pieces of art.

Mary was first introduced to gardening by her Uncle Teddy who was a gardener himself. “Every time we visited, I loved to help him in the garden and when I acquired my first plant at around the age of five, I made it very clear to everyone in my family that I was the only one allowed to care for it. Since I have always held a passion for the garden, it was only natural that it showed up in my artwork.”

Mary uses many different mediums to create her works of art. They include oils, watercolors, and digital painting. The amount of care and detail incorporated in each piece is absolutely astounding. She creates Digital Flower and Shell Paintings as well as  paintings using Traditional media.

Mary has been digitally designing for over 25 years now. She first started at Chyron Corporation, located in Melville, working in Sales and Marketing Positions. Later, Mary began her own graphic design company called Online Design which, at that time, was one of the few to be 100% digital.

Although Mary Ahern has been painting for over 30 years now, as a young child she never really became interested in the arts. Music was a large influence during her high school years: she was in the band and even conducted, which was rare for a women to do during that time.

It wasn’t until Mary was in her 20’s that she became interested in art, when one of her friends gave her a book about the work of the artist, Georgia O’Keeffe  This influenced her to take a class at the local Y and when she picked up the paintbrush she knew it was her calling. “The paintbrush seemed like an extension of my arm. Since then art has never been a hobby but a part of my life.” She went on from there and got a degree in Fine Arts from Queens College and has been creating ever since.

Four different background treatments of the Krinkled White Peony
Four different background treatments of the Krinkled White Peony

For those interested in pursuing a career in the arts Mary’s advice is to develop business and marketing skills in addition to the skills you develop to create your Art.   The web and social networking sites make marketing available  to everyone. “Whether it’s a website, a blog and alsoTwitter, Facebook or a combination, it is important for potential buyers to see the artist behind the paintings because that also helps to sell your art.”

She believes that a career in the arts is a very tough “glamour” business and you must have entrepreneurial skills as well as lots of determination to be successful. Mary Ahern also states that there are not many things more rewarding then to have someone who has purchased one of her Fine Art pieces tell her how much pleasure they have received every day from seeing her work hanging in their home  It makes her smile.

• To see some of her beautiful artwork, head over to her website,

http://MaryAhernArtist.com.

• Visit her Garden at her blog

The Garden Artist – My Garden, My Art, Where Passions Merge

http://MaryAhernArtist.com/garden-blog/

• View behind the scenes of an Artist on her Art Blog

Art Naturally – Musings Of My Life As An Artist

http://MaryAhernArtist.com/art-blog/

• Mary’s step-daughter Sharon Ruedeman made a video about her garden which you can view on YouTube at:

http://www.youtube.com/watch?v=BJTAh3dBrps

This article was derived from an interview with Mary Ahern, The Garden-Artist by Diane Brown and produced by Dianne Matus of the Huntington Arts Council.

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Krinkled White Peony

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I’ve just created a series of digital paintings of a Krinkled White Peony that was blooming in my garden this past June.

For my inspiration I chose an herbaceous white single peony that was introduced into cultivation in 1928. The plant grows to about 3 feet tall and wide. This year with all the rain it grew so very tall that I had to add a peony cage to one of them since it was so heavy due to the huge amount of flowers that it produced.

A single white "Krinkled Peony" which grew in my garden this June.

A single white “Krinkled Peony” which grew in my garden this June.

The petals are so delicate they remind me of crepe paper that I used to use when I made my paper flowers as a child. The golden yellow stamens add a dramatic accent.

One of the very rare sunny spots in my garden hosts the peonies

One of the very rare sunny spots in my garden hosts the peonies.

I’ve been tending this plant for over a decade and a few years ago moved it from a rather shady location where it bloomed each year but didn’t flourish. Though most of my garden is in some percentage of shade I decided to divide and transplant this perennial into the sunniest part of my garden. Since then it has more than tripled the amount of flowers it produces.

In this series of work I’ve decided to augment the dramatic simplicity of the single peony with different colored backgrounds. Each of these pieces will work individually but they also work as a group.

Single White Peony series of digital paintings

Single White Peony series of digital paintings.

As with many of my other works, I offer these digital paintings in a variety of sizes and framing treatments. These Fine Art works are available on Fine Art paper and also on UV treated canvas either framed or gallery wrapped.

If a specific design plan comes to mind, I can also customize the color backgrounds to suit the creative intent.

I will be showing these Art Works for the first time at the Northport Art in the Park, Saturday, July 25, 2009 from noon until 5pm.

Hope you can stop by the show and say hello. If you can’t and you would like to find out more about my work, you can contact me on Facebook, Twitter, my website MaryAhernArtist.com and here on my blog by posting a comment.

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Anemone coronaria in the Garden and in Art

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Anemone coronaria in the gardenMy Garden and my Art work side by side. Both require me to make aesthetic judgements about composition, scale, color, texture and style. When I’m deciding where to plant the flowers I’ve hauled home on my endless trips to the nurseries it doesn’t seem that much different to me then when I’m deciding how to compose them on a two dimensional surface.

I think about what style I’m looking for, what colors will work together, whether the scale of the placement works for me. I think about the type of flower and texture of the leaves. I make decisions about the 3D composition of the garden much like the 2D composition decisions on a painting.

Anemone coronaria in a Watercolor PaintingThe garden adds so many additional layers of complexity since the artwork is moving in time with nature, the seasons, the elements, and time. The painting remains caught in a moment.

Capturing that ephemeral moment is so gratifying to me in my Fine Art. I control it, unlike my Garden which is usually out of control.

You can visit this Watercolor painting on my website in The Work or you can buy a print of it in The Store.

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Looking closely

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Muscari armeniacumGrape muscari, otherwise known as Grape Hyacinths live close to the ground. For years I never took much notice of them except for the little spots of brilliant purple that bounced so nicely against the bright yellow daffodils they bloomed along with in April.

Then I got down. Hands and knees down.

What a surprise! How intricate the little flowers are. Little bells dance around a central stem forming a small pyramid. This inflorescence changes shape as it ages and can be more and less tightly knit.

The individual purple doesn’t seem to change on each bell but the overall purple varies when viewed at a distance based upon the tightness of the overall flower.

Muscari azureumI enjoyed these 4″ bulbs so much in my garden that I bought a bag of them from Costco one year and low and behold the next spring the flowers that bloomed were very different from my originals. They were more blue then purple and had a more rounded then pyramidal over shape.

So I googled Grape Muscari and found a world of cultivars I didn’t previously know existed. That’s one of the things that is so much fun about gardening. You are constantly in a learning mode. You are in for surprises every year and every season. The knowledge and information you acquire just keeps on growing, along with your garden.

So now I know that so far in my garden I have Muscari armeniacum and M. azureaum. Next year I’m sure to have more.

Digital Mixed Media Painting - Grape MuscariWhen I made my Digital Mixed Media Painting of my Grape Muscari I was careful to recreate the basal growth of the leaves. It would not have been accurate if I’d placed the leaves higher on the stem. The painting would have looked like a plant Frankenstein. As a Garden Artist, that is not what I’m trying to create.

You can view this Grape Muscari piece in my Store.

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Dicentra spectabilis

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Dicentra spectabilis vignette

Dicentra spectabilis vignette

Isn’t that a fantastic name? Dicentra spectabilis. It just rolls out of your mouth in a lilting singsong kind of rhythm doesn’t it? I love to say it quietly under my breath as I walk around my woodland garden in May. Not too loud so as to scare the birds and the neighbors (and myself for that matter.)

I love their color pink. I have some white ones, , but the pink ones are just so luscious. They reseed very freely for me and I’m able to reposition the offspring into springtime vignettes.

Dicentra spectabilis close-up

Dicentra spectabilis close-up

When I bought this property in 1989 there was one plant of Dicentra native here and I’ve managed over time to spread the wealth around my own garden and also with other gardeners. What a treat!

I don’t mind that they die back in the summer because it gives me another planting opportunity but some of the holes they leave behind can be very BIG planting opportunities…all the more opportunity for creativity to kick in.

I made a Digital Mixed Media Painting, which I call, “Dicentra Necklace”. I think of these joyful little gems in my garden, decorating the light greens of spring with their pink heart shaped “jewelry”.

Dicentra spectabilis necklace by Mary Ahern

Dicentra spectabilis necklace by Mary Ahern

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