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Contemplating Meaning: The Musings of an Artist

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Learning is Living

Art Naturally Posted on April 9, 2023 by Mary AhernFebruary 25, 2025 1

Learning is living and since I’m still alive at 75, I’m still taking classes and workshops. I continue to grow in both technical skills and in mental comprehension constantly. Hubby Dave says that sharks have to keep moving or they die. Guess I’m a shark.

The hunger to learn is something I remember as a kid growing up in a non-intellectual family. Always the odd person out, nose in the book, tackling projects foreign to my foreign born parents. My drive was inexplicable to them and completely normal to me as water is to a fish.

Looking back on just the last few years there’s been an interesting assortment of topics. Two years studying digital painting with an artist in Louisiana which is interesting since I’ve been painting on electronic paint systems since 1986, well before he discovered the medium. But he had a different approach than I did so I learned quite a bit. I also learned more about southern culture during the workshops he held on a southern plantation. Hope he learned to appreciate some of my yankeeness too.

Purple-Phalaenopsis WIP

I could have signed it at this stage of the painting, but I knew it wasn’t speaking to me entirely yet. I didn’t work on it anymore for an entire year & then, after taking an abstract realism workshop I knew where it was taking me.

The next two years were spent learning about how to run my art business efficiently. We studied, websites, social media, marketing, blogging (like this and my garden blog), exhibitions, galleries, pricing strategies, wholesaling, licensing, retail and more. Traveling and meeting other artists who came from around the world to attend the MasterMind workshops was stimulating to say the least. For over 6 years I have continued to meet with some of these other working artists whom I met through this program. It’s so important to have people in your life who speak the same jargon as you do. I treasure these friends.

During Covid, I took two online workshops. One was on story writing and the other on being a creative person. These intensive programs had me sitting down and thinking, which was perfect during the isolation. They pushed me to question what I’m doing with my art and why.

What is the real meaning of the work I create? Where do my influences come from and do I have a point of view? How has it changed, where might it go? What other artists do I feel a connection with? A rhyming of thought? A riff on technique?

Last year I took another workshop, this time one focused on painting in abstract realism as a way to counteract the botanical illustration up close and detail work that I’d studied and worked in for years. It was a real challenge for me to splash paint, spread it with trowels, and get my hands and clothes covered in the bright colors I’m drawn to. It turned out to be very freeing and helped me transition into a new phase of my work.

What I’m learning is that I’m relearning. Revisiting some of the lessons I took over the last many years but this time with a lifetime of experience. Some of these experiences were good, others bad, and others horrid but all of them are what made me who I am today. My goals are different. My processes have changed. In some ways, I’m more open and in others more hyper-focused.

Maybe that’s the thread of my learning. I’m open to change. I studied digital painting although I’d been using that medium for decades already and I learned new processes that I hadn’t explored. I studied marketing after I’d spent a career in sales and marketing for business and expanded my ability to communicate with my audience. I study writing and creativity even though I’ve been writing and creating for most of my life. This practice continues to help me evolve and explore new ideas and thoughts hovering deep inside of me. And now I’m again studying painting which I began my studies with so many decades ago and my work is evolving in a way I never would have expected.

In each of these endeavors, I learned so much and reminded myself of lessons I’d forgotten or seen in another light. Learning is living for me. So maybe I am that shark that needs to keep moving through the water in order stay alive. Lucky me!

Cosmic Phalaenopis oil painting.

Cosmic Phalaenopsis is a 24×24″ oil on cradled hardboard. This is a combined inspiration from NASA space images and my purple phalaenopsis orchid.


 

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Posted in Art Education, Being an Artist, Musings | Tagged Art Education, Being an Artist, Dream Chasing, Inspiration, Musings | 1 Reply

My Brush With Wolf Kahn

Art Naturally Posted on July 1, 2022 by Mary AhernMay 13, 2023  

Over the years I had a thin but important relationship with the famous artist, Wolf Kahn who passed away in March of 2020, just when the Covid lockdowns began. His wife, the artist Emily Mason whom he was married to for over sixty years, had died three months earlier leaving me with romantic undertones of love and commitment.

When I was studying art at Queens College in the late 1970s, my painting professor Robert Birmelin, invited Wolf Kahn to our painting class as a visiting artist. With an explosive personality quite opposite from each other, Wolf let us up to the roof of the building and gave us a very short blast of time to capture the sunset, perhaps fifteen minutes or so. We then returned to the studio for the intense critiques that followed. Apparently, my sunset painting with quick bold brushstrokes and vivid color moved Kahn enough to use my painting as the model for all the other paintings that he eviscerated. I felt rather proud of myself, to say the least.

Mary Ahern - Queens Village 1

Queens Village 1 – 1976 -Oil on Canvas.

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I Don’t Wear Red. I Don’t Even Like the Color Red. So I Painted a Red Dahlia

Art Naturally Posted on June 1, 2022 by Mary AhernFebruary 25, 2025 1

I don’t wear red. I don’t even like the color red. It hurts my eyes. And my soul. I don’t even plant red in my garden. There, every flower is either pink or purple or white. Girlie girl. Sweet. Flouncy.

I don’t know why I don’t like red. Perhaps it was my 6th grade teacher who said blonds don’t look good in red. I’m a natural blond BTW. She said her sister wore red and that she died that year, thus scaring all of us little girls who were in her sewing class. Coming to think of it maybe that’s why I don’t sew at all either. (I will add, that was the last year that particular teacher was seen in that school.)

So I was rehanging my studio after having the wall repainted and a hanging system for my art installed when I looked around and saw far too much pink hanging on the walls. Pink peonies, pink roses, pink hibiscus. Way too much pink. Time to do a color I’ve never done before.

Mary Ahern Studio

How about black. I never even put black on my palette. But that’s not the greatest color for a flower. I wanted to use a color that I’ve never used, never been comfortable with and don’t like and then make a beautiful painting with it. Red. That’s the color I knew I needed to work with.

It was hard for me, day after day looking at the various shades of Red on my palette and canvas. My eyes felt contaminated. I used more and more eyedrops to give me some relief. They didn’t help. But as the weeks went on, I began to adjust to the color Red and it became less upsetting to my psyche.

Many weeks into the painting I knew something was off about the work. I looked at it every day. Multiple times. I popped into the studio to catch it by surprise. I photographed it & played with it in Photoshop to try to figure out the problem, turning it upside down and backwards. Trying different filters to see if color was the problem.

And one day, POOF, and it was clear. The color Red demanded action. Movement. Swirling. Twisting. Bending. This Red demanded Passion. Energy and Power. This wasn’t going to be one of my sweet pink contemplative flowers perfectly centered inside a square frame. This red flower was going to stir you up, move you to new experiences, push you to live more fully, more energetically.

I took out my opaque white paint and obliterated the center of the failed painting and began again in Red. With energy. With vision. With Passion. And quickly the painting came together and was done. After all that time. All those hours of trying to force my will onto the canvas. It had a mind of its own & apparently knew what it wanted to be. And now it is.

Naming her was easy. She’s “Passion – Red Dahlia” and she’s a 30×30” gallery wrapped canvas. I’m not in a hurry to paint in Red again. My eyes need a rest. But I do know that I need to give over the responsibility of what the outcome will be to the painting itself. It has a mind of its own. It knows what it wants to be even if I don’t. I need to trust the process. Trust the collaboration between myself and the artwork. I need to let the painting bring itself to life.

Passion - Red Dahlia

Passion – Red Dahlia. 30×30 Oil on Gallery Wrapped Canvas $3,500. . See this on my website:


 

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Posted in Art Technique, Being an Artist, Musings | Tagged Art, Art Technique, Being an Artist | 1 Reply

How Long Did It Take You To Paint That?

Art Naturally Posted on November 14, 2021 by Mary AhernFebruary 25, 2025  
Mary Ahern Painting in her studio.

Mary Ahern painting the red dahlia in her studio.

The most frequently asked question when I’m discussing my art is: How Long Did It Take You to Paint That? Well, it seems like an easy one to answer doesn’t it? But the problem is, I don’t know what they’re really asking since no matter what I answer they say, “Oh” in response. Here’s why it’s a confusing question.

I don’t know what that person really wants to know. Do they mean how many hours did it take me to paint it? Or how many days? Or weeks? Or months? I’ve tried asking them what their real question is but people don’t really know why they’re asking it. Is it a form of legitimacy? A value judgment on the quality of the work? Perhaps it is a question about fair pricing for the quantity of time allotted to the work.

I wonder if they’re asking me how many hours a day (a week, a month) do I work? Or is it how many hours a day (a week, a month) do I paint, which is different than how much I work at being an artist? I think the life of an artist is a mystery to most people. I think they’re trying to get a handle on what it takes to actually make a work of art.

If, when I answer, I mention that it takes time for me to search in my garden for inspiration, it doesn’t seem to register that this is part of the time I’m working. Let’s not even mention growing my plants which are the models for most of my work. And does the time count that I take to make the preliminary drawings and sketching on paper or screen that I do to create the composition? How about the time it takes to transfer that sketch to the surface I’ll be painting upon, which lately is the canvas. Not until then does the actual painting begin. Does all that prep time count into “How long did it take you to paint that?”.

So, it seems by people’s reactions that all the preliminary work doesn’t count. What seems to only count is the time I’ve spent putting brush to canvas.

My last painting took me 8 months to complete. This timeframe did not count growing the plant, the photography, sketching the composition and the transfer to canvas. I’m a procedural painter so I actually have a timeline in my notes I keep of each painting. I list the day, the number of hours I worked and a line or so of what I worked on during that session. The notes ended on the day I signed the completed artwork.

But did it really take me 8 months to paint that particular Red Dahlia? I began the work in the dead of winter but was interrupted when spring arrived, and the garden demanded my attention. Generally, I can’t paint after I’ve worked in the garden since the small motor skills required for me to paint are too exhausted by the effort. I would not be able to control my brushstrokes to my satisfaction if I tried to cram too much physical work in a day.

So 8 months is not really an accurate answer is it?

In my notes I can see that I worked on this particular painting in 41 sessions, meaning 41 different days during those 8 months. And not to be outdone with carefully tracking my work, I painted for a total of 151 hours by the time I painted the signature in the lower right corner.

I’m pretty sure that any of those answers, the number of months or the number of painting sessions or hours would receive the same “Oh” reply from the person asking me the question. An artist’s life and work are a great source of mystery to many people. And I respect that. Actually, I kind of like that. Being and working as an artist is often a mystery to me as well. There are many times I look at a painting from my past and think to myself, Gee, I wonder how long it took me to paint that? Sometimes I wish I knew. That’s one of the reasons I now keep notes.

Allotted time doesn’t define the quality of an artwork. Time does not ensure me of a successful outcome. My art takes as long as it takes to satisfy me. That’s really how long it takes for me to make a painting. I have to be satisfied with the artwork to put my signature on the work.

Passion - Red Dahlia

Passion – Red Dahlia. Oil on gallery-wrapped canvas. 30×30″. $3,500. Available on my website here.


 

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Posted in Being an Artist, Garden Artist, Musings | Tagged Art, Art Technique, Being an Artist, Musings, Oil Painting | Leave a reply

Joseph Raffael 1933 – 2021 – An Appreciation

Art Naturally Posted on July 22, 2021 by Mary AhernSeptember 29, 2025  
Joseph Raffael February 22, 1933 -July 12, 2021

Joseph Raffael
February 22, 1933 -July 12, 2021

One of my heroes died this week. Joseph Raffael was an artist who spoke and will always speak to my soul. We lived in different places. Lived different lives. Worked in different mediums. He was famous but left the NY art scene to live quietly in the south of France. I never made it big enough in NYC to have to leave it. But I live in the quiet town of Northport on the north shore of Long Island. We have each experienced different successes in our lives. A man, a woman, so different but so the same.

His own garden was his inspiration as mine to me. The whole garden and the individual flowers he grew there were his references. My garden too supplies me with the imagery and stories I create from. He worked in watercolors, me, not so much. Give me digital, give me a computer and stylus, give me my oil paints and I’ll paint you some flowers.

He studied with the greats. He went to Cooper Union and Yale School of Art. I went to the State University Queens College for art and the New York Botanical Garden for botanical illustration. He won a Fulbright fellowship & studied two years in Florence and Rome. I was a single parent painting when the kids went to sleep.

Every other year or so Joseph would have a solo show at the Nancy Hoffman Gallery in Chelsea that I would make a pilgrimage into Manhattan to see. I would find myself immersed into his world. Not just his garden, his flowers, but more importantly, his spirit, his thoughts, his beliefs. It was a spiritual journey I engaged with on those visits. His spirit resonated within me. I took my camera to the shows and from that I made videos to pay homage to him and his work. Perhaps you will understand if you watch them.

Joseph wrote books too. I have them and read them from time to time when I want a renewal. They are a touchstone to the thinking that he and I share. His words speak the thoughts residing in my mind. We both experienced deep and life-changing loss which turned us to search inward for answers to our questions.

Joseph and I never met in person but every single morning I wake up to his “Pink Peony” hanging on the wall opposite my pillow. He signed it to me with my name and with his. He appreciated what I had created for him. He wrote to me from France to thank me and the package arrived at my doorstep.

Joseph Raffael lives on in his paintings, his writings, his spirit, his very being. I do not mourn his passing, I celebrate that he lived!

Joseph Raffael Artwork in my home

“April” A pink peony by Joseph Raffael in my home.

You can see my videos of his shows here,

and here too.


 

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Posted in Artists, Garden Artist, Musings, Video | Tagged Art, Artists, Being an Artist, Influences, Inspiration, Musings | Leave a reply

Changing My Mind About Genre and Purpose in my Art

Art Naturally Posted on March 8, 2021 by Mary AhernFebruary 25, 2025 2

Over the last few years, my art has shifted away from painting what I think will be popular. Selling lots of prints, in lots of sizes both online and offline, I knew I could make piles of money in my sleep. What fun!

That thinking is no longer my goal for making my art. Don’t get me wrong, I love selling, it’s in my blood. It was my career for many years. But times have changed for me. Circumstances have changed too. I’ve stepped out of the rat race. Out of the business world strictly speaking.

I stopped painting for cash. Stopped picking the most popular flowers, in the most popular colors, in the sizes that sell the most.

I’ve turned inward. I’ve begun writing about what matters in my life, in my world. I care more now about my work being a form of meditation. An opportunity to ponder our place in the universe.  My flowers are to me a symbol. A microcosm of the universe.

Mary Ahern the artist in her studio

“Subtle Elegance – Tree Peony” 36×36″ Gallery Wrapped Oil on Canvas

Since my art starts in the garden, I’m now seeking to translate lessons I’m learning there that inspire my work. I’m learning to write the stories, the messages, the ideas that motivate me to dedicate a painting to them. I care about what the painting will symbolize for me and perhaps for others.

Writing is helping me to find the language to express my thoughts. These thoughts are embedded into the artwork I create. Each painting is a manifestation of these ideas. I am now working towards a deeper interpretation of my work beyond just the visual.

In thinking about my art I had always labeled myself a floral or a landscape painter. My work was very realistic, the more realistic the better. I loved creating the details.

However, the work I’ve begun doing over the last few years has changed. My mediums, my style, and my thinking. For the past 30 years I’ve been a digital painter, (yes, before Apple, before Photoshop). Now I’ve returned to my roots and I’m painting again in oils. There’s no $20,000 digital system between my work and my body. I am again, up close and personal.

This change in medium, this physical closeness to my work, this reawakening has given me an opportunity to re-evaluate what it is that I’m trying to do. To say.

As my forms become more simplified, more minimal, more stylized, my thinking has gone deeper. Richer. More meaningful. So this is why I now relate less to floral painters but more to meditative, more minimalistic painters, more abstract painters. It’s not really just about the flower. The colors. The form. It’s about what I’m thinking, what I’m feeling, what I’m learning. The garden is my tutor. These are lessons we can all learn if we pay attention quietly to what’s around us. The lessons carried to us on the wind.


 

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Posted in Being an Artist, Musings | Tagged Being an Artist, Career Changing, Creativity, Influences, Inspiration, Musings | 2 Replies

Mary Ahern Artist Biography

Art Naturally Posted on February 12, 2021 by Mary AhernMay 12, 2023  

VORACIOUSLY CONSUMING LIFE

Mary Ahern Painting in the StudioThrough the twisting paths and obstacles in life, the two constants for me have been my Art and my Garden. These are my anchors. They keep me balanced, complete, secure. The arrival of spring flings me from my studio where I’ve been creating my Art all winter, into the emerging garden surrounding my studio.  The colors shout optimism to me. The joyous season has begun again. This is where I grow my subjects and gather the imagery for my work.

I’ve been an Artist for eons, exploring as all true Artists do, a myriad of subjects and with enough mediums that fill drawers and cabinets throughout my studio. I’ve been zigging and zagging throughout my journey with all the bumps and joyous bursts I could grab. Some of my work through the years has had autobiographical underpinnings, some of it was icy flat. I’ve worked big and I’ve worked small. But when it comes down to it, I love color.

RIFFING ON CLASSICAL ART

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Painting Process – Painting the Edges

Art Naturally Posted on January 25, 2021 by Mary AhernMay 13, 2023  

Today I painted for four hours on a painting that everyone thought was finished but I hadn’t yet signed. Everyone loved it but me. I really liked the composition, a rounded peony in a square frame. What’s not to love?

But the edges weren’t working for me. Not the edges of the outside of the canvas, the edges where paint meets paint. Where does one color transition to another? Is the edge hard or soft? Does it blend? Does it pick up color from the adjacent color? Does it offer a stark contrast in tone to the color next to it?

Is that color warm or cool that it’s bumping up against? Warm colors advance, cool colors recede. Is one petal in front of the other? Where is the light coming from? Is there a shadow? If the petal of the flower is warm, the shadow would be cool.

Subtle Exhuberance - Tree Peony: Detail

Subtle Exhuberance – Tree Peony: Detail. Oil Painting on Canvas. To see the finished painting click here!

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Living and Painting in Layers

Art Naturally Posted on November 9, 2020 by Mary AhernJanuary 4, 2023  

Last week we had temperatures in the 30’s every day. The clocks changed and now it’s dark by 4:30 where I live. That may sound pretty grim but for me, it signals the opportunity to go into my studio to paint without the tugging and nagging feeling that I should be out in the garden, planting, weeding, pruning, and planning. Now, guilt-free I’m in my studio creating the paintings of the flowers from summer.

And guess what? Yesterday, today and for the next few days, the temperatures have returned to the 70’s. So the sunshine has seduced me back into the garden. Finally today I finished planting the 100 plus bulbs I bought on some wild spending spree a few weeks ago. The daffodils, the oriental, martagon lilies are in. The bearded iris have been planted in the little nooks and crannies where there is some sunshine. And all the five different kinds of alliums are finally in the ground.

Alliums, you may or may not know are onions, these are ornamental onions. Not the kind I cooked dinner with tonight. I made a new recipe with spanish onions, turkey sausages, grapes, cumin, vinegar, roasted potatoes, and some of the meager crop of tomatoes I grew from seed this year.

Pink Hibiscus oil painting by the artist, Mary Ahern

Here I Am – Pink Hibiscus-Detail. 20×20″ Oil on Canvas GW Larsen Juhl floating frame. $1,950.

As I cut up the onions I thought about all their layer upon layers. Which led me to think about my paintings. I paint in layers. Layer upon layer of thin transparent paint. As the painting comes into existence it reminds me of my darkroom days and watching the photograph begin to arrive in the chemical baths. I tend to work all over the surface so the entire painting emerges pretty much at the same time.

My paintings are very much like me. Like you. Like everyone. We’re all layers upon layers of information, experience, emotion, and intellect. Interest and drive are hidden in there too. Hopes and dreams also come to mind. Many people don’t like to look below the first layer of who they are. I, on the other hand, dug deep into the bone marrow to find the core of what makes me tick. Then I covered it up so the rest of the world wouldn’t find it easily. Keeping that core wrapped in swaddling clothes held closely, is one of the mysteries I keep safe and protected from the seasons of change.

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Posted in Being an Artist, Garden Artist, Musings | Tagged Art, Being an Artist, Creativity, Garden Artist, Gardening, Influences, Inspiration, Musings, My Garden, Oil Painting | Leave a reply

My Seasonal Studio

Art Naturally Posted on September 27, 2020 by Mary AhernOctober 7, 2020 1

Throughout the year I spend time immersed in my garden in the warm summer sunshine and the deep winter snow. The myriad of colored petals, the exquisite architecture of a flower’s anatomy, the subtle shifts of green inspire me throughout the seasons.

Mary Ahern in the Camellia Garden

Here’s me in my spring garden with the camellias in bloom that inspired the original painting that is behind me in an aluminum print. The aluminum hangs outdoors all year long whether the camellias are in bloom or not. You can buy them on my website here.

There are seasons I’m with my flowers in the garden and seasons where they enter my studio as inspirations for my paintings and drawings. Each art form is dependent on the other to continue my seasonal shifts of creation.

All winter I paint flowers. The bright happy flowers of my summer garden follow me into my studio and surround me with their joy and inspiration during the short dark days of winter. In my studio, they help me to wind down the hectic whirlwind of gardening in the bright sunshine.

But each year the same joy of being in my studio creating my Art begins to take a turn into claustrophobia when the daffodils spring forth with their joyous yellow heads as they entice me outdoors. It’s the beginning of the push and pull for me to be in my studio or to be in my garden. Both are my creative forces. Both get my creative juices flowing. Without either the other would be that much the poorer.

The balancing of time subsides somewhat in the mid-summer when the heat and humidity drive me back to the cooler breezes in my air-conditioned studio. Another burst of art flows from inside the walls during those hot weeks of August. When the humidity subsides the gardening resumes.

Inevitably when the nights begin to provide good sleeping weather, the transition from new expectations of growth in the garden turns instead to senescence and the decisions of what to preserve commences. Choices of what to overwinter, what must be sacrificed take precedence. Mulching, raking, clearing debris marks the bedding down of my outside work.

Then comes the time in the fall when the garden is put to sleep that the joyful season of painting and drawing begins again within the walls of my studio as I create my winter garden of work surrounded by my summer flowers.

Work in Progress in the Winter Studio

Visit my website to see what appeared in my winter garden!

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Posted in Being an Artist, Garden Artist, Musings, My Garden | Tagged Art, Being an Artist, Creativity, Garden Artist, Gardening, Influences, Musings, My Garden, Oil Painting, Time management | 1 Reply

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