Author Archives: Mary Ahern

How the Art World Has Changed For Me

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As a person involved in creating art for the past many years, the opportunities and revelations keep coming.

Mary Ahern - Floral Park Art League 1975. The Art world has changed.

Mary Ahern – Outdoor Art Show with the Floral Park Art League 1975

The art world has changed but so have I. I’m more self-assured about my work than I was at the beginning. Through a lifetime of hard work, bumps, skids, rashes, pain, zigs and zags I’ve developed the thick skin needed to have confidence in my skills as an artist and as a person running a small business selling and showing my art.

We all know the tremendous changes that the internet and social media have introduced into the careers of artists. We are now independent enough to take our careers into our own hands rather than rely on galleries as the only outlet to selling or placing our work. I’m sure that for some artists, galleries are the central force in placing their work in prestigious collections and museums. For most of us though, galleries are not the only answer any longer.

Gallery representation isn’t for everyone

One of the obstacles for me is that I have 3 distinct bodies of work in which I like to create & promote. One is digital, one is in traditional mediums and the third is a combination of both. Even though they all focus on the same subject matter, flower and gardens, they all have very distinctive looks. I love the freedom that being independent affords me so I can create in whichever medium I choose.

As a lifetime entrepreneur the thought of having a gallery owner tell me what they want and when they want it is abhorrent to me. There is a benefit to being a working artist for many, many decades. I have the emotional and financial security to remain an independent artist. Having spent my former career in sales and marketing and also having had my own graphic design business for decades, I have the skills that many artists don’t possess. 

I’m committed to creating my own art styles, exploring new mediums, enjoying the process of experimentation. But I’m just as committed to running my art business. Because of the tools now available through technology, the internet and social media I can do that myself at an affordable price. It’s a game-changer.

Recently I was asked what advice would I would give to my 21-year-old self on how to get started and keep motivated?

I can’t speak to my 21-year-old self since I was married and the mother of a baby boy by then. I didn’t put myself through college until my youngest went to nursery school. By the time I graduated from art school I was a 32-year-old single parent. A career was foremost on my mind in order to support my sons but I knew that I needed to focus on the arts in some way to follow my calling. By creative thinking & sheer guts, I got myself into the nascent computer graphics industry in the early 1980’s as a salesperson who had to use and demonstrate graphic devices and electronic paint systems. This gave me a toe-hold into the conversation of creative arts. 

Critical as well was that I always maintained a working studio in my home, even sitting in it & studying art history books when I was too stressed to pick up a brush. Because I kept my focus on the artist part of me more than the technologist part of me I was able to transition into creating my own art more often as my sons grew up and life became easier. Maintaining this tangential association with the creative arts was the reason I’ve been able to now focus 100% of my effort into my artwork.

Keeping motivated isn’t difficult when you’ve burned with the desire to create your whole life. What does help however is having artist friends and mentors who understand the struggles to carve out the time to express yourself in an ever-busy world. Accountability partners help me to keep the balance needed to make room for the creation of art and the running of an art business. Either one of those activities is all-consuming but without one you don’t need the other.

Mary Ahern-Artist Talk. The Art world has changed.

Mary Ahern giving an Artist Talk at The Firefly Artists Gallery in December 2019.

 

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Slide Slam-Patchogue Arts Council Presentation by Mary Ahern

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Recently I had the honor to present my art and the meaning behind my thought process at Slide Slam. This event was sponsored by the Patchogue Arts Council and hosted by the Haven Gallery in Northport NY.

The presentation by the 20 selected Long Island artists was to display a slideshow of 15 images and speak for exactly 5 minutes each about the work. Such a daunting task proved to be an interesting challenge. How do you get to the essence of your work succinctly in such a short span of time?

With plenty of planning!

After the event, I created a video of my Slide Slam talk which you can see here.

Important for me was to convey how critical the garden is to my work. It is in fact the beginning of my creative workflow. In the garden I feel the power of the interconnectedness of all that surrounds me; the necessary ecological balance of the earth, climate, water and nutrients, that sustain the cycle of life.

The communities of birds, bees, insects and yes, humans to pollinate flowers with the assistance of the wind of course. This cooperation is the main critical component of maintaining not just my garden but our entire life here on earth as we know it. Without fertilization the cycle of life would die for all living things, not just for the loss of our beautiful garden flowers but for all our food sources as well.

To me, the garden is just a microcosm of the universe.

The vast beauty of color, fragrance and the architecture of each plant is created to seduce assistance in procreation. Each flower has evolved its own method for attracting exactly the pollinator they desire. Long tubes for hummingbirds, open centers for nice fat bumble bees. Certain colors are more visible to different insects than others. Fragrance signals an invitation to specific species that the time is right for fertilization. The Brugmansia is most fragrant in the late afternoon since it would rather have an energetic pollinator just arriving on their evening shift than a tired one at the end of it’s working day.

Working in and studying my own garden for the last 30 years has given me the unique opportunity to watch dynamic change occur. When my oak trees fell in Hurricane Sandy suddenly the types of plants that enjoyed their shade began to suffer from too much sun. I dug them up and moved them and their scorched leaves to where they would be more comfortable and replaced them with flowers that thrive in the drenching sun. Over time this would have happened naturally but I was able to speed up the process.

Each day in my garden I’m inspired by the energy of life. I carry this with me right into my studio where I allow that energy to inform my art.

 

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Enjoy Metal Weather Resistant Aluminum Art Outdoors Year Round

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Tired of the browns and grays and whites of winter? So am I!

I’m looking to get a jump on some brilliant color outside. I want to see color outside my windows, outside in my garden and outside on my deck. I’ll bet you are too.

Bright splashes of color greet me when the trees are bare and the shrubs covered with white snow. It is so cheery to see in the dead of winter. Seeing color reduces my stress. It probably does for you too. That’s why gardens are so relaxing.

ChromaLuxe exterior grade aluminum metal prints hanging in the garden all winter in the snow. Mary Ahern Artist

ChromaLuxe exterior aluminum prints hang outside in my garden all year long popping color when I most need it.

During the spring and summer, I coordinate the color of my plantings with the colors in my art. It gives me a very creative palette of colors to work with. It adds to the fun of gardening.

I hang my aluminum art on the garage so I can see flowers all year from the windows in my home, I hang the art on my deck where we entertain and select art that color coordinates with my outdoor furniture. As a garden designer, I’ve designed woodland walks around my home and studio and even hang art on the trees for when people wander around on my garden tours.

I tried a lot of products outdoors in my own garden on Long Island in New York where we get snow and ice in the winter and lots of heat in the summer. I found that not all aluminum is created equal since much of it warped in the extreme temperatures. Then I tried the ChromaLuxe brand of exterior grade aluminum. I’ve tested these prints throughout all the seasons and they have flourished in my garden for years.

In my video, you can see some of the ways I’ve displayed my art in the garden and also the gardens of some of my happy customers. Take a look and be inspired.

Click here for the video.

Then have some fun. On my website I’ve introduced a separate category for the indoor/outdoor metal aluminum art with an augmented reality feature. Now you walk around your space with your mobile device and see how my art will look in your own setting. You can also try different sizes to see what will fit perfectly for you.

Seeing this live takes the stress out of deciding what artworks for you. It is the ultimate in customizing your own living spaces both indoor or out. Try it now. No commitment to purchase is needed to see for yourself. Go to my online shop, click on the metal print category, select an image that intrigues you, change the size, try a different print, try a different space. Enjoy yourself now!

Go to the Metal Print Shop section in my Art Shop and try the Augmented Reality for yourself in your own home or garden!

 

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Have Fun Buying Art Using Augmented Reality

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Selecting art to buy online can be daunting but it doesn’t have to be. In my Art Shop I’ve added a few features to help you take the guesswork out of what art and what size will work in your space and what will not. It’s called Live Preview AR (for Augmented Reality.)

Here’s a video I made to get you excited to try this yourself!

Using your own mobile device you can select a print from any of my collections of landscapes, floral portraits, still lifes and designer prints and view it through your on-board camera projected onto your wall space. You can resize the image of the print until you find that perfect sweet spot that will work for you in your own particular setting.

You can easily select different prints to view. Will a landscape style work or perhaps a square print? Choose prints to view either by clicking directly on their image in the category library or just press the left or right arrow to view the next in line. All the available sizes for each print are quickly and easily seen by you in the pull down menu right at your fingertips.

To exit Augmented Reality is easy and brings you right to the ordering page. You have an array of options in which to choose. What surface do you want for your print? Canvas, fine art paper, aluminum or acrylic? Once you decide the size and treatment you might consider a frame or matting depending on your choice of materials.

Now that your selection is made just click to see your shopping cart and the rest is a breeze. The hardest part will be anticipating the arrival of your very own piece of Art, custom chosen by you for your own special place. Enjoy!

 

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Studio Glimpses – The Making of the Pink Peony Painting

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All of my paintings start with the garden, mine or other gardens. On a trip one spring day in May as I wandered around the peony displays at the New York Botanical Garden, with my phone I took snapshots of many of the unbelievable peonies in their collection in full bloom.

Later that year on a cold winter day in December, sifting through my stash of photos, a particular pink peony image jumped out at me and demanded my attention. I knew we could develop a relationship together. It often takes months to complete a painting so I really have to love my subjects in order to spend that much time with them. We need to love each other.

Once deciding on the size of the canvas I want to use I sketch, using vine charcoal, to give the general outline of the final layout onto canvas prepped with multiple layers of gesso. Then I block in the areas of color, working on my lights and darks. Then I paint using many layers of thin glazing in order to get the vibrancy of color I crave.

Oil paints need a few days of drying times between layers and some of my paintings have 15 to 30 layers of glazing. In order to continue painting every day, I usually work on multiple paintings at a time. Each one a different day. A different palette of colors. A different stage of completion. I like the continuous challenge of picking up where I left off. I keep extensive notes at the end of each day for each painting. A sort of diary of each work.

I paint quite slowly and quite neatly. I don’t like to feel sticky so I’m cleaning brushes and washing my hands constantly. Gloves don’t work for me since I don’t like the barrier they put between my brush and my hand. Rolls of paper towels help with the tidiness of my style of workflow. In fact & have two different brands for two different uses.

I listen to music while I paint. During the duration of this particular painting, I was listening to many CDs of van Morrison music. I don’t know why. I just was. Sometimes I’m in a classic rock groove for weeks on end and other times might be jazz, classical or even new wave relaxation. I don’t plan it. It just happens.

I usually paint with just brushes, fan brushes in fact, but the center of this painting demanded a palette knife. It’s not something I usually turn to but since the painting had a mind of its own I complied. Glad I did since the center of this painting is rich with texture while the petals are completely without texture but rich in nuance.

I named this painting Centering – Pink Peony. The reason is that it represents two different views for me. I can see with my eyes that it’s an interpretation of a pink peony but in my soul I found it centered me. Made me contemplate the meaning of this painting, this flower, this world it had lived in and now lives in again but in a different way. One ephemeral, one eternal.

 

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Aluminum Prints of my Original Paintings

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Aluminum Print Display at the Bayard Cutting Arboretum of the art work of Mary Ahern

This was the display of my Aluminum Prints at my show at the Bayard Cutting Arboretum. You can purchase these for your own home and garden here.

I have always dreamed about having my Art displayed outside around my garden and outdoor living spaces. And now the technology has caught up with my dream. I have my original paintings printed under heat & pressure to create these very vibrant aluminum prints. They can have a glossy or matte finish to them and I haven’t any particular preference since I like them all.

Sunflowers and Purple Asters in a Home Entrance. Aluminum prints of original paintings by the artist Mary Ahern

Sunflowers and Purple Asters aluminum print at the entrance to the home of one of my collectors.

The weather-resistant aluminum which I’ve selected for my Art is thick and durable enough to survive and flourish in my garden throughout the 4 seasons and has been doing so since 2014. Because I wanted to make sure that the quality was right and the color lasted I tested many fabricators before offering the metal prints to my collectors. 

Sometimes I frame the pieces in simple aluminum frames but most often I just hang them outside, on the trees, on the fences and on the walls. What a delight to look out of my office and look at art instead of looking at my garage & thinking it needs powerwashing! Even better is looking out in a snow storm and seeing the brilliant color of summer flowers breaking through the white and gray backdrop.

When the birds decide to decorate the art, I just squirt the pieces with some window cleaner and using a paper towel I wipe them clean again. No problem.

The aluminum makes the colors pop whether they’re on a matte or glossy finish. Though these prints can be hung outdoors many of my collectors buy them for inside their homes. Either way, it’s a unique decor addition whether inside or out.

Go now to my website to see how these aluminum prints will look like in your own home and garden using the augmented reality feature on my website shop.

 

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Northport Art in the Park Annual Art Festival Event

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Art in the Park
Art, Music, Poetry and Dance Festival

A July summer event, featuring music, dance, poetry and over 30 artists displaying and selling their original work. Art show begins at 10am and festivities begin at 12pm. Free admission and a fun day for the entire family. Hours are 10am to 5pm.

For Additional information visit the Northport Arts Coalition website

Join us for another exciting event in the picturesque Village of Northport, NY. This multi-disciplinary annual event is held in the Village Park at the foot of main street surrounded by the lush tableau of water, boats, trees, playgrounds and the old time Village feel of another, calmer and genteel era.

Mary Ahern Artist Northport Booth. Art for sale

To see and purchase my art anytime of year please visit my website shop. You won’t be disappointed!

 

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Apples in Boxes – Flowers in Squares – New Paintings on an Old Theme by Mary Ahern

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For decades I have been creating art in circles surrounded by squared edges. When I first made this type of work it was in the mid-1970’s. The circle was most often represented by an apple inside a square or cube. At that time it represented to me the yin and yang, female and male complements to our lives and our characters. The apple was an Eve figure, soft, female, curious, playful and seductive. The boxes were the rules, the male, the limitations, the protection and the containment of her attributes.

Apple in Boxes Pointilist drawing by Mary Ahern the Artist

Apples in Boxes – A pointillist drawing in ink on paper. c1970’s

 

I have recently returned to this theme but using flowers from my garden as the subjects rather than apples. It feels so calming to me when I create these voluptuous rounded floral paintings. This peony was the first in a series of exploring again the circle in a square imagery so I named it “Centering” because that is how I feel towards these works. I find my centering in two places, in my studio and in my garden. They completely complement each other, one provided by nature and one in interpreting that vision.

There is a difference between the imagery of then and now. These flowers, though they are encompassed in a square format canvas, they are not contained. They are bursting through the limitations of frame, of edges, of inhibition. They are positive and empowered by their form and by their explosive color. They are neither shy nor retiring. They declare themselves as having established their own space. They are declaring themselves as individuals.

Centering - Pink Peony Squared. Original oil painting by Mary Ahern the artist.

“Centering – Pink Peony” 36×36″ GW. Oil on Canvas. Original painting by Mary Ahern. To purchase or for additional information please contact the artist here.

 

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Not Just Another Flower Painting

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My Painting Studio. Mary Ahern Artist.

Paintings in progress in my studio. Visit my Art Shop.

The flowers I create in my studio with brush and canvas speak to me beyond their intricacy of form, color, ruffles and swirls. LIke everyone else they initially attract me with the way the color changes as the light graces their outer curves and when it delicately enters their inner recesses, their intimacy. The edges of petals dance like ballerina skirts bouncing in the breeze. Their edges are fluted, scalloped, curved and splayed defining their differences and embracing their similarities of purpose.

I love the architecture of flowers, not just how they grow on their stems, their height, their leaves and their unique outward appearance. I concentrate on the inner architecture of their center parts, the configurations of their pistils and stamens, their anthers laden with pollen. Quite frankly, these flowers are built to seduce their pollinators. The birds and the bees but also the billions of bugs who help by rolling in their pollen to feast and to share and to help create the next generation to grace the earth.

Flowers speak to me of our universe. Our purpose. Our endurance. Each flower is an individual with its own color, shape and form. It’s own choices of community, culture and companionship. It’s own needs for climate, food and water for sustenance. But we all share our need to survive, another season, another year, another generation.

Whether I am among the flowers in my garden or the flowers in my studio, I embrace our diversity and our commonalities. All these flowers in soil or on canvas speak beyond themselves, they’re ideas and thoughts beyond just the visual. They speak to the interior of our purpose and our minds. They are us.

My Garden with rhododendrons and hyacinths

A spring view in my garden makes my heart sing. Visit my Art Shop.

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Why Bigger Flowers Are Better

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Not until I studied botany and viewed flower structures under magnifying glasses and microscopes did I really appreciate their magnificence. As a life-long gardener I looked at and created landscapes, matching groups of plants to be seen from a distance, blending distant views of overall colors and shapes. Matching seasons and cultivation needs, heights and spreads contributing to the designs I created in gardens and on canvas in my landscape paintings.

Tulips in a May Garden. Mary Ahern the Aritst

A rainbow of colors in a friend’s May garden. Photo by Mary Ahern.

But that aha moment of peering dramatically close to the parts of a flower opened a whole new world of vision and contemplation for me.

By painting my flowers overly large and entirely out of scale from the real world, I try to bring that same sense of awe to my viewers. Show them something of what I see. I try to create for them their own aha moment of joy and wonder to take on their journey.

Yellow Tulip Squared

Yellow Tulip Squared. Various size prints available on canvas, fine art paper, metal and acrylic in my online shop.

 

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