A July summer event, featuring music, dance, poetry and over 30 artists displaying and selling their original work. Art show begins at 10am and festivities begin at 12pm. Free admission and a fun day for the entire family. Hours are 10am to 5pm.
Join us for another exciting event in the picturesque Village of Northport, NY. This multi-disciplinary annual event is held in the Village Park at the foot of main street surrounded by the lush tableau of water, boats, trees, playgrounds and the old time Village feel of another, calmer and genteel era.
The flowers I create in my studio with brush and canvas speak to me beyond their intricacy of form, color, ruffles and swirls. LIke everyone else they initially attract me with the way the color changes as the light graces their outer curves and when it delicately enters their inner recesses, their intimacy. The edges of petals dance like ballerina skirts bouncing in the breeze. Their edges are fluted, scalloped, curved and splayed defining their differences and embracing their similarities of purpose.
I love the architecture of flowers, not just how they grow on their stems, their height, their leaves and their unique outward appearance. I concentrate on the inner architecture of their center parts, the configurations of their pistils and stamens, their anthers laden with pollen. Quite frankly, these flowers are built to seduce their pollinators. The birds and the bees but also the billions of bugs who help by rolling in their pollen to feast and to share and to help create the next generation to grace the earth.
Flowers speak to me of our universe. Our purpose. Our endurance. Each flower is an individual with its own color, shape and form. It’s own choices of community, culture and companionship. It’s own needs for climate, food and water for sustenance. But we all share our need to survive, another season, another year, another generation.
Whether I am among the flowers in my garden or the flowers in my studio, I embrace our diversity and our commonalities. All these flowers in soil or on canvas speak beyond themselves, they’re ideas and thoughts beyond just the visual. They speak to the interior of our purpose and our minds. They are us.
Not until I studied botany and viewed flower structures under magnifying glasses and microscopes did I really appreciate their magnificence. As a life-long gardener I looked at and created landscapes, matching groups of plants to be seen from a distance, blending distant views of overall colors and shapes. Matching seasons and cultivation needs, heights and spreads contributing to the designs I created in gardens and on canvas in my landscape paintings.
A rainbow of colors in a friend’s May garden. Photo by Mary Ahern.
But that aha moment of peering dramatically close to the parts of a flower opened a whole new world of vision and contemplation for me.
By painting my flowers overly large and entirely out of scale from the real world, I try to bring that same sense of awe to my viewers. Show them something of what I see. I try to create for them their own aha moment of joy and wonder to take on their journey.
My studio is overflowing as I create new work for my show at the Bayard Cutting Arboretum
Mary Ahern brings her award-winning style of floral and garden inspired art to the Bayard Cutting Arboretum from May 17 through June 17, 2018. Three galleries of her floral portraits will be on display at the historic Manor House at the Bayard Cutting Arboretum in Great River NY. The galleries are open on Thursdays through Sundays from 11 am until 4 pm.
Mary Ahern, known for her brilliant floral and garden paintings will be showing her latest large-scale flower portraits. As a passionate gardener who is inspired by the gardens she designed and tends surrounding her own studio, these flowers represent to her a microcosm of the universe. The large scale of these individual portraits asks questions beyond the canvas.
What is the purpose for such magnificence in nature? What is the reason for such color, such form, such diversity? What is their relationship to the communities in which they belong, their relationships with other plants and species that sustain them, invade them and nourish them. What of their lifecycle of birth, growth, senescence and rebirth? As humans, what can we learn from their seemingly simple existence?
Initially we see with our eyes. We name it, identify it and classify it. But we also have a duality of vision which allows us to contemplate with an inner vision. This art invites both the external and internal views.
Floral Contemplations. The Duality of Vision
New Work by Mary Ahern
May 17 – June 17, 2018
Galleries Open to the Public Thursdays – Sundays 11 am until 4 pm
Bayard Cutting Arboretum
Historic Manor House
440 Montauk Highway
Great River NY 11739
Opening reception: May 20, 2018 1 pm until 4 pm. All Welcome!
In my late summer garden this dramatic combination of colors occurs when the daylillies bloom amongst the rudbeckia. The cultivar name is Frans Hals daylily so how could I not fall in love with it given my Dutch heritage. The rudbeckia is the classic variety named Rudbeckia fulgida and multiplies happily in this garden setting.
I composed this painting in a classical pyramidal style for the daylilies then using the receding rudbeckia to open the space towards the background of trees and shrubs serving as a horizontal and vertical balance.
Frans Hals Daylilies with Rudbeckia 24×36″ Mixed Media on Canvas.
I happily took the Long Island Railroad into Penn Station to then walk to Chelsea in NYC from my perch in Northport Long Island. This venture, on a cold winter day, was to gather in the brilliant colors and environments of the watercolor paintings created by the Artist, Joseph Raffael. These large-scale works envelop you into the tropical gardens and seaside shells which are the models and subjects of his work.
Some feature strongly defined focal points while other subjects are diffused, allowing you to meander through the tangles of flowers, leaves and stems. Koi provide the pivotal “Turning Point” between the water and air while leaving ripples which you know will be gone again in moments. Tibetan prayer flags flutter in the breeze sharing the brilliance of Koi colors. Time, movement and transience are significant subjects in these meditative paintings.
My paintings actually start in my garden. This is where I grow the flowers, shrubs and trees, which are a part of the workflow of my creative output. The sun and shade play a role in all my compositions.
I actually consider the creative work to be seamless whether at work in the garden or at work in my studios. The up close and personal view of the flowers when I’m weeding, deadheading, trimming and tending allow me the time to become intimately aware of each flower’s details. This is something I like to convey in my work.
Light Blue Iris Germanica
These light blue irises came to dance in the breezes in the front garden, which I can see through the French doors in my living room. Though short lived, their ephemeral character is part of the fun of capturing them in my Art.
Phlox stolonifera, ‘Sherwood Purple’ in front of a Karume azalea in the woodland walks.
The composition of this painting was created using elements from different areas of my garden. The woodland walks with their large hemlock trunks for the vertical accents, which mimic the verticals of the irises. The rare spots of sunshine in the front garden, which hold the irises and many other perennial sun lovers, give me many sources of inspiration during the seasons.
Daylilies and Rudbeckia, a Mixed Media painting by the Artist, Mary Ahern.
FOR IMMEDIATE RELEASE
Mary Ahern Invited To Exhibit Her Art by the Huntington Arts Council
Northport, NY. – February 24, 2013
Mary Ahern, the Northport Garden Artist, has been invited by the Huntington Arts Council to display her Mixed Media paintings in the show titled, “Living Color”. These bold & bright, large-scale paintings are interpretations of the gardens she tends surrounding her studio on Long Island.
Mary Ahern, who has shown her work and been collected extensively on Long Island and many surrounding States, is pleased to have been invited by the Huntington Arts Council to participate in the “Living Color” show. Ahern states, “The title of this show perfectly describes my own large colorful floral portraits. It is a perfect fit.”
The Huntington Arts Council show will be held in the Art-trium in Melville, Long Island, NY. This spacious setting is ideal for Ahern’s large-scale powerful statements.
The show will be held at the Art-rium Gallery at 25 Melville Park Rd., Melville NY. Her Fine Art will be on view from March 26 – June 17, 2013.
Meet the Artist at the opening reception, which will be held on Friday, April 5, 2013 from 5:30-7pm.
One of the methods I use to visualize my Art is to take snapshots of my models and modify them on my computer. Since I’m not a photographer I only have a small point and shoot camera that I use to take photos in my garden or in my studio.
I took this snapshot of these orange tulips using natural light in my studio
I import these snapshots onto my computer and using Photoshop I delete the backgrounds, modify the colors and otherwise play around with the image. I print the images from my Epson printers onto matte cardstock papers.
Using Photoshop on my Mac, I play around with colors and composition
Then, using Winsor Newton watercolors, I put down my first layer of paint. Once dry I used my set of Prismacolor colored pencils to draw over the watercolor.
In this Mixed Media Art work I used colored pencil over watercolor
For some reason I find this process to be very relaxing and meditative for me. If I need some calmness in my life, I can go to my studio at any time and pick up right where I left off. No fuss, no muss, no bother.
The Joseph Raffael show at the Nancy Hoffman Gallery at 520 West 27th St in Chelsea New York was a burst of color and soul. The show was there from November 2009 through January 10, 2010. For those of you who missed this wonderous presentation, I created a video of the show.
Visiting this show brought such a burst of the voluptuous joy of color and passion to an otherwise gray day that I was compelled to share it with others.
Joseph Raffael douses himself in his watercolors. His colors flood and pool in the most controlled display of virtuosity I’ve ever seen in this medium. Though in this show his subject matter seems to be primarily flowers, his style is the antithesis of botanical illustration.
As a matter of fact, Elisabeth, my fellow Artist friend and I gallery hopped to this show on the heels of a visit to the ASBA (American Society of Botanical Artists) show at The Horticultural Society of NY. The contrast of two exquisite art forms, both employing watercolor and using flowers as subject, was astounding.
For an extra treat, I would suggest visiting Joseph Raffael’s website and taking some time to view the meditative videos of him as he paints.
Take a moment to calm down and become immersed in the process of Art. It will make your day. It always does so for me.
I’ve just created a series of digital paintings of a Krinkled White Peony that was blooming in my garden this past June.
For my inspiration I chose an herbaceous white single peony that was introduced into cultivation in 1928. The plant grows to about 3 feet tall and wide. This year with all the rain it grew so very tall that I had to add a peony cage to one of them since it was so heavy due to the huge amount of flowers that it produced.
A single white “Krinkled Peony” which grew in my garden this June.
The petals are so delicate they remind me of crepe paper that I used to use when I made my paper flowers as a child. The golden yellow stamens add a dramatic accent.
One of the very rare sunny spots in my garden hosts the peonies.
I’ve been tending this plant for over a decade and a few years ago moved it from a rather shady location where it bloomed each year but didn’t flourish. Though most of my garden is in some percentage of shade I decided to divide and transplant this perennial into the sunniest part of my garden. Since then it has more than tripled the amount of flowers it produces.
In this series of work I’ve decided to augment the dramatic simplicity of the single peony with different colored backgrounds. Each of these pieces will work individually but they also work as a group.
Single White Peony series of digital paintings.
As with many of my other works, I offer these digital paintings in a variety of sizes and framing treatments. These Fine Art works are available on Fine Art paper and also on UV treated canvas either framed or gallery wrapped.
If a specific design plan comes to mind, I can also customize the color backgrounds to suit the creative intent.
I will be showing these Art Works for the first time at the Northport Art in the Park, Saturday, July 25, 2009 from noon until 5pm.
Hope you can stop by the show and say hello. If you can’t and you would like to find out more about my work, you can contact me on Facebook, Twitter, my website MaryAhernArtist.com and here on my blog by posting a comment.
The North Shoreian has just published their April Home and Garden issue with my “Single Yellow Daffodil” on the front cover.
A delightful article about my work is featured inside this publication which is a magazine covering the North Shore (of Long Island) Arts, Culture & Politics.
The North Shoreian. April 2009 Home & Garden Issue
This is an exerpt of the article:
Classically trained painter, and Northport native, Mary Ahern, has spent the past twenty-five years studying and mastering digital painting and design. Mary’s interest in digital painting was stimulated when she was working for a company that created graphic technology for use in the television and production industry. Beginning as a salesperson in the early 1980’s, Mary began learning about the newest advances in this medium. As technology progressed, these high-tech digital systems became a practical expense for the small business owner and were readily available. In the early 1990’s, Mary invested in her own system and created her own graphic design company, Online Design. Her company was 100% digital which was unique at a time when paste-ups and mechanicals were still the norm in graphics.
Champagne Poppies on a Brown Background
In addition to graphic design, Mary has combined her interests and talent in painting to create her own style and method of art. Her digital paintings are created by using the computer as her medium. Mary trades in her paintbrushes and paints for a pressure sensitive stylus and graphic tablet…
Mary’s abilities as an artist are not limited to digital painting. As a traditional painter, Mary is very talented. Mary mixes mediums, such as watercolor, oil paints, pastels, colored pencils and graphite, to create her works of art. She has been doing traditional painting and drawing for over thirty years and her work reflects many hours of time and commitment to the art.
In addition to art, Mary is very devoted to growing a private garden. She spends many hours cultivating the soil, planting, pruning and nurturing her flowers. Not surprisingly either, she adds a degree in Ornamental Horticulture to her already impressive resume.
The Artist Mary Ahern with some of her Digital Paintings
Finding something that inspires is one of the most important steps for Mary as an artist. Mary states, “It is very important that I really like the subject that I choose because I spend so much time with it…
Mary’s clear dedication to her garden transpires into her devotion to her art. On Mary’s impressive and self designed website, you can visit her two blogs. One is devoted to art in general, touching on her visits to various locations, book reviews and her journey as an artist. Mary also has a blog devoted to gardening, in which she posts photographs of her beautiful plants as they grow and transform, and even shows the plants alongside her art that she has created in homage to the specific bloom…
If you would like to learn more about North Shoreian Artist Mary Ahern, her garden, her masterpieces or to purchase her work, visit her website: http://www.MaryAhernArtist.com
My Garden and my Art work side by side. Both require me to make aesthetic judgements about composition, scale, color, texture and style. When I’m deciding where to plant the flowers I’ve hauled home on my endless trips to the nurseries it doesn’t seem that much different to me then when I’m deciding how to compose them on a two dimensional surface.
I think about what style I’m looking for, what colors will work together, whether the scale of the placement works for me. I think about the type of flower and texture of the leaves. I make decisions about the 3D composition of the garden much like the 2D composition decisions on a painting.
The garden adds so many additional layers of complexity since the artwork is moving in time with nature, the seasons, the elements, and time. The painting remains caught in a moment.
Capturing that ephemeral moment is so gratifying to me in my Fine Art. I control it, unlike my Garden which is usually out of control.
You can visit this Watercolor painting on my website in The Work or you can buy a print of it in The Store.
Grape muscari, otherwise known as Grape Hyacinths live close to the ground. For years I never took much notice of them except for the little spots of brilliant purple that bounced so nicely against the bright yellow daffodils they bloomed along with in April.
Then I got down. Hands and knees down.
What a surprise! How intricate the little flowers are. Little bells dance around a central stem forming a small pyramid. This inflorescence changes shape as it ages and can be more and less tightly knit.
The individual purple doesn’t seem to change on each bell but the overall purple varies when viewed at a distance based upon the tightness of the overall flower.
I enjoyed these 4″ bulbs so much in my garden that I bought a bag of them from Costco one year and low and behold the next spring the flowers that bloomed were very different from my originals. They were more blue then purple and had a more rounded then pyramidal over shape.
So I googled Grape Muscari and found a world of cultivars I didn’t previously know existed. That’s one of the things that is so much fun about gardening. You are constantly in a learning mode. You are in for surprises every year and every season. The knowledge and information you acquire just keeps on growing, along with your garden.
So now I know that so far in my garden I have Muscari armeniacum and M. azureaum. Next year I’m sure to have more.
When I made my Digital Mixed Media Painting of my Grape Muscari I was careful to recreate the basal growth of the leaves. It would not have been accurate if I’d placed the leaves higher on the stem. The painting would have looked like a plant Frankenstein. As a Garden Artist, that is not what I’m trying to create.
You can view this Grape Muscari piece in my Store.