My studio is overflowing as I create new work for my show at the Bayard Cutting Arboretum
Mary Ahern brings her award-winning style of floral and garden inspired art to the Bayard Cutting Arboretum from May 17 through June 17, 2018. Three galleries of her floral portraits will be on display at the historic Manor House at the Bayard Cutting Arboretum in Great River NY. The galleries are open on Thursdays through Sundays from 11 am until 4 pm.
Mary Ahern, known for her brilliant floral and garden paintings will be showing her latest large-scale flower portraits. As a passionate gardener who is inspired by the gardens she designed and tends surrounding her own studio, these flowers represent to her a microcosm of the universe. The large scale of these individual portraits asks questions beyond the canvas.
What is the purpose for such magnificence in nature? What is the reason for such color, such form, such diversity? What is their relationship to the communities in which they belong, their relationships with other plants and species that sustain them, invade them and nourish them. What of their lifecycle of birth, growth, senescence and rebirth? As humans, what can we learn from their seemingly simple existence?
Initially we see with our eyes. We name it, identify it and classify it. But we also have a duality of vision which allows us to contemplate with an inner vision. This art invites both the external and internal views.
Floral Contemplations. The Duality of Vision
New Work by Mary Ahern
May 17 – June 17, 2018
Galleries Open to the Public Thursdays – Sundays 11 am until 4 pm
Bayard Cutting Arboretum
Historic Manor House
440 Montauk Highway
Great River NY 11739
Opening reception: May 20, 2018 1 pm until 4 pm. All Welcome!
Rocket screaming energy propels me from a watery grave.
Into the Red-Orange Sky.
Personal Writing by Mary Ahern, May 15, 1978
Illustration: Oil painting with digital overlays in Photoshop.
“The Red-Orange Sky” is the first painting I ever made. It was before I went to college to study art. I was taking Wednesday evening art classes at the YMCA near where I was living in Queens Village. Circa 1974.
The Digital additions for illustration purposes were made in Photoshop November 16, 2013.
The Northport ArtWalk is a Free self-guided walking tour of the many galleries, studios and eclectic gallery-for-a-day venues centered around and along Northport’s picturesque Harbor and Main Street. Northport, NY is located on the North Shore of Long Island about 40 miles east of midtown Manhattan between the towns of Huntington and Smithtown.
The ArtWalk is one of the best ways for visitors to enjoy Northport’s bustling and diverse art community by bringing visitors to view the art of established and emerging Artists.
The festive atmosphere of Northport will be punctuated by musical performances; live artistic demonstrations and street decorations as town visitors peruse the art in restaurants, antique shops, boutiques and cafes that are part of this historic village.
Blue Hydrangeas in Delft Blue Pot. Digital & Traditional Mixed Media Painting
I will be showing my Fine Art at Bodyscape Pilates located at 54 Woodbine Ave, Northport NY 11768.
There will be a mixture of Traditional Watercolor paintings, Drawings, and my Digital Mixed Media Paintings for you to choose from. All my work will be for sale. Something for everyone!
Pick up your self-guided maps at Copenhagen Bakery just a few hundred feet away on Woodbine Ave.
One of the methods I use to visualize my Art is to take snapshots of my models and modify them on my computer. Since I’m not a photographer I only have a small point and shoot camera that I use to take photos in my garden or in my studio.
I took this snapshot of these orange tulips using natural light in my studio
I import these snapshots onto my computer and using Photoshop I delete the backgrounds, modify the colors and otherwise play around with the image. I print the images from my Epson printers onto matte cardstock papers.
Using Photoshop on my Mac, I play around with colors and composition
Then, using Winsor Newton watercolors, I put down my first layer of paint. Once dry I used my set of Prismacolor colored pencils to draw over the watercolor.
In this Mixed Media Art work I used colored pencil over watercolor
For some reason I find this process to be very relaxing and meditative for me. If I need some calmness in my life, I can go to my studio at any time and pick up right where I left off. No fuss, no muss, no bother.
There are so many ways to create paintings. As an Artist who has been creating for over 35 years I have developed a variety of methods to arrive at my finished work. Sometimes it is interesting to get a peek behind the process, so here is one style I enjoy.
Snapshot of some Orange Tulips I used as the basis of this series of Art works
Since I’m not a photographer, I take snapshot of flowers I either buy or grow. I usually select them for color or just for form. I find myself attracted to large bold shapes rather than the more frilly inflorescences. I then decide what mediums I will work in and whether there will be one finished Art work in one or more mediums or whether the work will be part of a series.
I love creating tonal drawings so I often do a finished piece in graphite before I start a painting just because I like the feel of drawing. It also is a great way to work out values of highlights and shading.
Tonal drawing of a tulip. I use a pair of magnifying lenses which I hook onto my bifocals to help me see the details
If the work is part of a series, I need to imagine the size of each piece and the total overall impression I’m looking for. This ups the level of complexity considerably and actually makes for quite a nice challenge to my visual imagination and my technical consistency.
For a series of work I need to choose the size of each work and the size of the overall series.
I also need to create a composition that stands alone as well as works for the series.
I used my altered snapshots to help me come up with my composition in this series
My work must not only be accomplished to my own standards for each piece but it must be consistent across all the work. This can be tricky if you don’t create all the work during the same or close to the same period of time.
I have donated one of my Krinkled Peony Digital/Traditional Mixed Media Paintings to the Huntington Arts Council, annual silent auction fundraiser. This piece is a combination of Digital painting and Traditional Colored Pencils.
The finished mixed media painting is matted & finished in a 16×16″ natural wood color frame.
Bidding is underway at the Main Street Petite Gallery. Almost 50 artist members of the Huntington Arts Council have donated original work in oils, watercolor, photography, prints, diamond and topaz jewelry, silk and more. Bidding opportunities start at $25, and go until 6 p.m. on Friday, December 4.
This is a great chance to own an original piece of art or purchase one as a gift for a favorite relative or friend. Stop by the gallery at 213 Main Street in Huntington, two blocks east of New York Avenue, to see both the art and all the raffle items.
Poster for the L’Art Pour L’Art Silent Auction for the Huntington Arts Council
The proceeds support the exhibition programs of the Arts Council’s two galleries. Some of the wonderful raffle items are: a pair of subscription tickets for the Long Island Philharmonic; gift certificates for Besito, Honu, RED Restaurant and others; and theater and movie passes.
The gallery will be open for the duration of the auction Friday evenings until 8 p.m. and from 1 to 5 p.m. on the first three Saturdays of November. A “Rockin’ Sock Puppet Making Workshop” is on tap for kids ages 5 to 11 on Saturday, November 14 from 1:30 to 3:30 p.m. Then on November 21 at 2 p.m., some of the donating artists will be at the gallery to talk about their work.
The historic use of limiting editions of prints was during a time when prints were made from art carved or drawn onto stone, wood or other surfaces that degraded with use. As more impressions were made the surface wore out and the image became less crisp. Limiting the quantity of the printing run helped to control the quality of the print and of course the value.
Digital printing does not suffer from this problem since there is no degradation in resolution, or crispness, from one print to the next. In fact, what can happen as technology evolves and equipment gets better and faster, later prints may be of higher quality then original prints made years earlier in the cycle.
New Technology Offers New Forms of Creativity
So how do I offer my customers a solution to their desire for a unique piece of my Art rather then the Open Edition pieces I generally offer?
Custom Art Work Created Just For You
Custom Editions brings my customers into a collaborative effort in the artistic process of helping me to create a unique Art Work specific for their home or office design ideas.
I was lucky this cold winter week in December. I went to the beach, hung out at the marina, and gazed at flower gardens in full bloom.
You think I’m kidding? Well, I’m not. I was lucky enough to visit the Jacqueline Penney Art Gallery & Studio in Cutchogue Long Island NY. Now this is an Artist who loves sunshine! Take a look at her work at her website http://www.jacquelinepenney.net and then make an appointment to go see and collect her work.
Jackie is a real renaissance woman. She paints, she teaches and she writes books helping others to enjoy the experience of creating Art. She is a sharing and giving human being and it shows in her work.
Her beautifully re-designed 1840’s barn is at once her home, her studio working space and the gallery where she sells her work to the public. This seamless breaking down of boundaries defines a truly creative person. There is no beginning, no end, just the all-encompassing act of creating.
The way she lives and the way she lives her life describes a true Artist.
My Garden and my Art work side by side. Both require me to make aesthetic judgements about composition, scale, color, texture and style. When I’m deciding where to plant the flowers I’ve hauled home on my endless trips to the nurseries it doesn’t seem that much different to me then when I’m deciding how to compose them on a two dimensional surface.
I think about what style I’m looking for, what colors will work together, whether the scale of the placement works for me. I think about the type of flower and texture of the leaves. I make decisions about the 3D composition of the garden much like the 2D composition decisions on a painting.
The garden adds so many additional layers of complexity since the artwork is moving in time with nature, the seasons, the elements, and time. The painting remains caught in a moment.
Capturing that ephemeral moment is so gratifying to me in my Fine Art. I control it, unlike my Garden which is usually out of control.
You can visit this Watercolor painting on my website in The Work or you can buy a print of it in The Store.
Westhampton Beach Art Festival in 2004. Notice the webbed beach chair.
As with all the other aspects of your booth design finding the perfect chair is extremely important. Much as you may not think so you need to have a very comfortable chair available for you to rest during the inevitable slow times in the booth at an Art Festival.
My first chair in 2004 was the same one I had used at the beach and at softball games prior to exploring the world of Art Festivals which now keep me hopping on the summer weekends. It was a standard webbed chair that is really too unprofessional for a sales situation. Fine for behind the booth but not in it.
My next chair was a high folding Director’s chair which I got at Pier One. It was very comfortable and the style of wood and fabric I picked looked good in my booth. It kept me up high when I was sitting so that if a customer came into the booth I could speak to them eye to eye without getting off the chair. Sometimes potential customers feel intimidated when you get off the chair to speak to them so the higher design of the Director’s Chair worked very well.
One problem though, the wind kept knocking it over since it wasn’t heavy enough. We kept repairing the split arms until they were too ugly and then we’d buy another one. This worked until 2007 or so when the chairs were discontinued at the chain.
Tall bamboo chair for art festivals makes a big difference for the artist and the customers
So I cruised the internet and found the chair of my dreams with Hollywood Chairs which is sold by Totally Bamboo. http://www.totallybamboo.com
I got the Tall Deluxe Hollywood Chair and I didn’t forget to get the cup holder for my Starbucks. It is soooooo very comfortable, good on my back, good for my feet. Even if I don’t sit on it I lean my bottom on the seat and it relieves back pain. It is a bit large for the trailer but we put it in first and take it out last and store it in a carton to keep it looking brand new. The wood is really bamboo and smooth and soft to the touch. It makes you feel rich just sitting in the chair. The seat is padded. It has never blown over in the wind and it is easy to wipe off any food that get on it. This Hollywood Chair was a great investment!
Hicks Nursery Winterfest January 2005. Flimsy tables didn’t last long.
Finding the right furniture for your Festival Show booth is not an easy task and for us it took quite a few twists and turns. Granted the work I’ve been showing over the last four years has also taking dramatic zigs and zags, I spent more money, time and energy trying to get my sales desk right.
In 2004 when I started doing Art Show and Festivals, I bought some extremely cheap folding tables for $11 each. They had aluminum legs and an almost cardboard top but they served the purpose for a few shows. I put some tablecloths over the top of them and they seemed to work fine. I was even able to store inventory underneath. Then the moisture got into them and the tops warped too much to be useable.
I replaced them with foldable molded plastic tables which have adjustable legs for height variations. They were much heavier and could store less underneath but they were much more durable. In fact, I still have them and use them once in awhile with tablecloths when I can display more outside the booth.
Desk set up at the Connecticut Flower and Garden show in February 2007
In 2005 I thought I found the perfect solution. On the internet
February 2008 Connecticut Flower and Garden Show with the ProPanels desk
I found a folding crafting desk with flip up sides and drawers in the center to hold all my office material like stapler, tape, pens, sales forms, my credit card reader, lunch, etc. Well, after two shows the flakeboard cracked and fell apart from the back and forth transportation in the trailer. The look of the desk was fantastic but the materials weren’t made for the rigors of road travel. Even collapsed into the size of a night table, the desk took too much room in our trailer so we discarded it. Money down the drain.
I created a curtain with some fabric to put on the open back of the desk to hide my paraphernalia. At the last show I didn’t realize until it was too late that people were just reaching into my desk to steal my shopping bags because they didn’t want to carry their literature even though some huge company was handing out free literature bags at the entrance to the show. Every single show is a learning experience. I guess that every day of life is too.
I was featured in a Newsday Business section article written by Arlene Gross. The excerpt focusing on my background and my life choices is copied below. If you’d like to see the article in it’s entirety you can see it on my website in the Press section.
At midlife, taking lower pay to begin more satisfying careers
By Arlene Gross
Special to Newsday
11:07 AM EST, January 4, 2008
Mary Ahern had (experimented) in art for many years, but had never been able to actually make a career of it. Until four years ago, that is, when she made the switch to full-time artist.
“I had always been a creative artist,” the Northport resident, explained. “Life, however, intervened, and as a single parent, I was never able to create my art on a full-time basis.”
Changing careers at midlife is no small feat, and switching to one with substantially less earning potential is more difficult still. According to Randy Miller, founder and president of ReadyMinds, an online career counseling service, downsizing a career can be a source of great anxiety.
Yet for some people, any fear or hesitation is mitigated by the yearning to follow a dream. Seeking more spiritually uplifting endeavors can be the ultimate challenge, and Miller said any attendant loss of income is often compensated with a renewed sense of purpose and newfound happiness.
“There are a lot of people who go through life and think, ‘What if?'” Miller said. “With a strategic plan, coupled with the new passion and ultimate objective of doing something different, one can more easily achieve their ultimate goals.”
For Ahern, a new husband provided the impetus and financial support to move forward. Income, the couple concluded, was less relevant to the quality of their lives than the legacy they wish to leave behind.
“When we married, Dave urged me to follow my dream,” she recalled. “The hard part at first was trying to find inside myself what that dream actually was. You spend so much time marching forward and doing what you do, you lose the essence of yourself.”
Once their five children — all from previous marriages — were finished with college, Ahern felt it was OK to follow her calling.
“My income from my art doesn’t yet come close to the money I’m used to making in either my career in computer graphics equipment sales or my own graphics design firm,” she said.
One of her greatest sacrifices was a big dip in retirement savings, which now come exclusively from her husband’s salary.
“We have a comfortable nest egg,” she said, “but by coming out of a conventional career, I no longer have the extra cushion to add to my existing portfolio of tax-advantaged savings vehicles.”
Despite her diminished earnings, Ahern says she is happier. “I am living the life I am meant to live,” she said.
Excerpt of Article posted in The Times of Northport
Artist cultivates her livelihood like a garden
By Arlene Gross
June 13, 2007 | 02:39 PM
Northport resident Mary Ahern is a successful artist who practices a unique technique she describes as. “Digital Mixed Media Painting”.
But Ahern, who… (was) among the exhibitors at Arts in the Park in Northport July 8, (2007) was not born an artist. “I didn’t come to paint until I was older,” she said. “I didn’t even know I had a facility for it.”
As a young girl, she focused on music: playing trumpet and saxophone for the high school band and conducting her Fort Hamilton High School graduation in Brooklyn with a rousing rendition of Beethoven’s Fifth Symphony.
“I’ve been in the bleeding edge of those kinds of issues,” she said. “In those days, girls didn’t conduct.”
A life-changing moment came in her 20s, when a friend gave her a coffee table book of Georgia O’Keeffe’s paintings.
“I opened it up and turned the pages and wept,” she recalled. “It was completely transforming. I could only look at 10 pictures a day, it was so overwhelming.”
From that moment, Ahern knew she must study art and, then a resident of Queens, attended Queens College.
Although she was influenced by O’Keeffe and painted similar subjects, such as close-up and sensual florals, Ahern said she did not mimic her idol’s technique. Whereas O’Keeffe painted with direct and rapid strokes, Ahern’s traditional paintings were created in grisaille, or gray scale, and layered with washes of pigment on top, giving the subjects a glow through the optical blending of glazes of pigment.
After divorcing her first husband, Ahern took a job at Barnard College’s career counseling office, where she herself was able to get some career guidance. Through her Barnard position, she attended Columbia University for free by working there while raising sons, Chris and Michael, then ages 10 and 8.
“I knew if I couldn’t stay home and be a mom and paint, I had to make a decision: I’m going to make as much money as possible,” she said.
With profit in mind, Ahern went into technology sales, selling computer graphics and eventually becoming Northeast regional sales manager at Chyron Corporation in Melville (and a National Marketing Manager at The Dynatech Video Group.) Then she started Online Design, a digital graphics company.
For Ahern, feminism was not a word to bandy about but, rather, her day-to-day reality – working as a single mother in a male-dominated industry.
“My single-minded focus on providing a good life for my sons enabled me to ignore the tremendous obstacles, prejudice, emotional assault and loneliness that comes from breaking through social barriers,” she said. “I, like my father, pulled myself up by my bootstraps. As a woman in a male industry however, I, like Ginger Rogers, did everything in high heels and backwards.”
In 1989, Ahern fulfilled her dream of buying a house with a spacious garden in Northport, which she said, “was like a step back in time to a slower and more gracious lifestyle.”
“The center of town with a Main Street embedded with trolley tracks leading to the harbor breezes and music in the gazebo captured my attention and insisted upon my attendance. I needed to move here.”
Eleven years later, she renovated her home, adding an airy, second floor art studio, and now natural light trickles throughout.
The garden, which Ahern designed, encircles the house, with its artfully designated focal points and meandering paths, everything flowing gracefully.
“I practice nonviolent gardening – no rose bushes to stab you – all soft inviting plants,” she said.
Seventeen years after her first marriage ended, Ahern married David Ruedeman, an engineer at Chyron. The couple worked together there but got to know one another only when he became a client of Online Design. This year will mark the couple’s 10th anniversary…
Early on in the second marriage, wishing to reinvent herself, Ahern got a degree in horticulture from SUNY Farmingdale in 2000, with the idea of becoming a landscape designer, which she did for a year. “It was too much for my (aching) body,” she said, of the many hours spent working on bended knees.
From there, it was a two-year course studying botanical illustration at the New York Botanical Gardens in the Bronx.
Her (Mixed Media) painting, a culmination of expertise paralleling her life’s progressive journey, combines a passion for the fine arts, gardening, computer graphics and botanical painting.
“To be creative, you need to know your medium,” Ahern said of her computer graphics skills. Through her paintings, she seeks to make people look around them and become more aware of the nature surrounding us.
Dr. Roberta Koepfer, her friend since 1971, said, “She’s like a phoenix. I have seen her rise up from a fair number of devastating experiences. Every time she comes back, she comes back more dynamic, more focused on her art and with an increased zest for life and personal growth.”
When it came time to sell her art, Ahern’s business savvy came in handy; she started in Northport as an exhibitor at the annual Arts in the Park series (in 2004) and now participates in about 15 art shows in New York and Connecticut between May and September, with her husband lending a hand.
Ahern’s work has also been the focus of several gallery exhibitions, including a one-person show at Greenlawn’s Harborfields Library this past February.
Susan Hope, gallery coordinator for the library, noted that Ahern’s exhibit was well timed: her cheerful florals brightened the gloom of winter. “It has an eye catching appeal,” she said. “People really enjoyed it, whether they were art savvy or just seniors on their way to their meetings.”
Today, Ahern is either painting her botanicals, selling them or lecturing on the business of art at libraries or schools, although her business persona has changed radically over the years. “I did trade shows in high heels and silk suits,” she said, “now I’m doing business in Birkenstocks and shorts.”
To anyone seeking career guidance, Ahern advised, “Don’t throw away anything you’ve done because you want to transform yourself. Take the good portions, the positive elements and try to incorporate them into this new self you’re creating. That’s how I’m living my life.”